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Romain Liverato

Débordement II variante F, 2022

Photography : mixed media 15.7 x 23.6 x 1.6 inch


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Romain Liverato, Débordement II variante F

About the artwork

Artwork sold in perfect condition

Photograph printed on canvas, wooden stretcher, Murano glass-headed pins, wooden frame. By using the complementary color of the surrounding blue on the flow, the artist wanted to represent the melting of the ice which has an artificial cause. This casting is formed by no less than approximately 600 Murano glass-headed needles. The needle being one of the symbols of the textile industry, the artist recalls the non-negligible impact of this one on the cause of global warming.
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About the seller
Professional art gallery • Brest, France

Artsper seller since 2021

Vetted Seller

Dimensions cm inch
15.7 x 23.6 x 1.6 inch
Sky blue wood ornate
Artwork dimensions including frame
20.5 x 28.1 x 2.8 inch
Unique work
Work sold with an invoice from the gallery and a certificate of authenticity
Signed artwork

Worldwide delivery

The artwork can be delivered to the address of your choice within 3 to 4 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

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Works in prints from Romain Liverato
Romain Liverato

Romain Liverato

France • Born in: 1982

Environmental Artists

Photographers Artists

French artists

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

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