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Romain Liverato

Débordement II variante F, 2022

Photography : mixed media 15.7 x 23.6 x 1.6 inch

$1,199

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Romain Liverato, Débordement II variante F

About the artwork

Artwork sold in perfect condition

Photograph printed on canvas, wooden stretcher, Murano glass-headed pins, wooden frame. By using the complementary color of the surrounding blue on the flow, the artist wanted to represent the melting of the ice which has an artificial cause. This casting is formed by no less than approximately 600 Murano glass-headed needles. The needle being one of the symbols of the textile industry, the artist recalls the non-negligible impact of this one on the cause of global warming.
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About the seller
Professional art gallery • Brest, France

Artsper seller since 2021

Vetted Seller

Dimensions cm inch
15.7 x 23.6 x 1.6 inch
Framing
Sky blue wood ornate
Artwork dimensions including frame
20.5 x 28.1 x 2.8 inch
Type
Unique work
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Signed artwork
Colors
Themes

Worldwide delivery

The artwork can be delivered to the address of your choice within 3 to 4 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

Free returns

If you change your mind, you can send it back free of charge, and we'll reimburse you. Find out more about free returns

Payment and Guarantee

You can pay by credit and debit card, PayPal or bank transfer only in euros. We take fraud very seriously and respect your confidential information, which is why all payments are subject to 3D Secure validation. Find out more about payment
Artsper's pledge of quality: We only work with professional galleries and guarantee the authenticity and provenance of our artworks. Find out more about Artsper guarantee
Works in prints from Romain Liverato
Romain Liverato

Romain Liverato

France • Born in: 1982

Environmental Artists

Photographers Artists

French artists

Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.

Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.

Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.

Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).

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