Débordement II variante F, 2022
Photography : color edition, canvas, mixed media · 40 x 60 x 4 cm 15.7 x 23.6 x 1.6 inch · Ready to hang
$1,750
1 750 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 169
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
color edition , canvas , mixed media on canvas
Dimensions ( cm • inch )
40 x 60 x 4 cm 15.7 x 23.6 x 1.6 inch Height x Width x Depth
Artwork dimensions including frame
52 x 71.5 x 7 cm 20.5 x 28.1 x 2.8 inch
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
Photograph printed on canvas, wooden stretcher, Murano glass-headed pins, wooden frame.
By using the complementary color of the surrounding blue on the flow, the artist wanted to represent the melting of the ice which has an artificial cause. This casting is formed by no less than approximately 600 Murano glass-headed needles. The needle being one of the symbols of the textile industry, the artist recalls the non-negligible impact of this one on the cause of global warming.
By using the complementary color of the surrounding blue on the flow, the artist wanted to represent the melting of the ice which has an artificial cause. This casting is formed by no less than approximately 600 Murano glass-headed needles. The needle being one of the symbols of the textile industry, the artist recalls the non-negligible impact of this one on the cause of global warming.
Presentation
Photographer for 11 years, whose photographic quest has always been that of the intact landscape. This sought-after intimacy with nature, the landscape is called into question by the omnipresence of mankind in the environment, not only because of its way of life but also of mass tourism.
Seeking to represent this impact of human beings on this nature and its environment in general (nature and the urban) with which he maintains an ambiguous relationship, he will add another medium - painting - to his photography.
Contrasting singularly with the photograph which represents a reality, the painted motif inserted therein therefore aims to question this ambiguous relationship.
Continuing the process to the end with the frame which represents artificiality, the motif itself is overflowing with it because now it is indeed Man who is the cause of everything, and no longer simply "the measure of everything" (Protagoras).
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