Lumina # 202211, 2022
Photography : C-print · 170 x 8.5 x 10 cm 66.9 x 3.3 x 3.9 inch
Shipping & delivery
Shipped from: Australia
Delivery to: Germany , € 500
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 3 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
170 x 8.5 x 10 cm 66.9 x 3.3 x 3.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Chromogenic Print Face-mounted 4.5mm Matte Plexiglas Box.
Edition: 2/3
Available in 4-5 weeks turnaround.
Backed with Dibond and C-channel hanging system + keyhole option.
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media. He lives and works in Launceston, Tasmania.Snell creates small production runs, printing each unique work in an edition of one to three. His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes” the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding” process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition. This process blurs the boundary between “taking” and “making” a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.The visual lexicon Snell has developed is informed by the Modernist history of painting, especially minimalism and hard edged abstraction.Snell intends to create visually arresting works that allow viewers to enter into a contemplative, or even transcendent state. He achieves this through the deployment of rhythmic, harmonious visual structures such as concentric circular or linear patterns.
Presentation
Paul Snell combines traditional and digital techniques to explore the possibilities of abstraction and minimalism in contemporary photo-media.
He lives and works in Launceston, Tasmania.
He creates small production runs, printing each unique work in an edition of one to three.
His process begins by capturing a location or an object on film with a traditional camera. He then digitally “decodes" the visual information present in that image. After reducing and simplifying the colors and forms, he begins an intensive “re-coding" process, during which the reduced formal elements of the work evolve their own self-referential relationships within a new composition.
This process blurs the boundary between “taking" and “making" a photograph. When the digital composition is complete, Snell converts it into a Chromogenic print using the Lambda printing system, which allows luminous, vibrant, colorful photographic printing onto metallic paper. The print is then mounted onto Plexiglass.
The visual lexicon Snell has developed is informed by the Modernist history of painting, especially minimalism and hard edged abstraction.
Snell has described his artistic practice as a search for “sensory understanding of the physical object."
His images are abstract, yet also declare a certain concrete recognition of their own material substance. Snell intends to create visually arresting works that allow viewers to enter into a contemplative, or even transcendent state. He achieves this through the deployment of rhythmic, harmonious visual structures such as concentric circular or linear patterns.
Color relationships and spatial realities are also of primary importance to Snell. The iconic presence of his works is due in part to the dynamism of the color relationships, in part to the architectonic-yet-open nature of his compositions, and in part to the vibrant, luminous qualities of the surfaces.
His work is included in numerous public and private collections, including that of ArtBank, the Devonport Regional Gallery, the Burnie Regional Gallery, and the Justin House Museum.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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