Les fenêtres rouges, 2018
Photography : inkjet · 60 x 80 x 0.3 cm 23.6 x 31.5 x 0.1 inch
$840
$756
756 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 116
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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Dominique Leroy
Photography . 90 x 70 x 2 cm Photography . 35.4 x 27.6 x 0.8 inch
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
60 x 80 x 0.3 cm 23.6 x 31.5 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
Urban Landscapes. In this series and contrary to the “Solarisations” series, post production is reduced to a minimum. The good part is made essentially with the raw image and without artifice. It is therefore important in the works presented in this series that the framing be instantaneous and precise. The same goes for the choice of subject, so as not to lapse into the anecdotal. We can therefore assimilate the images compiled here to “one shot”, without concession, with an undisguised plastic propensity. The red windows. In the city center of Porto, a striking image of reflections from the windows of an old building which come “to collide” with the facade of a modern building. The deformations generated by the different juxtaposed planes bring all the pictorial value to this monochrome work, with its rigorous composition, which surprises with its density.
Presentation
As a long time independent professional photographer in the industrial and advertising field, he finally takes the time for his personal research focused on color and matter, and the resulting atmosphere is always guided by the rigor of the composition, and often close to painting.
His perception of the final image must be for him a link between the subject and the experience of each one, that is to say a link of common places of the collective memory and their visual interpretation.
As many of his images offer several readings to the eye, we can say that he applies himself to show facets of elements that we are used to looking at in their entirety.
In conclusion, Christian Lefèvre considers that each of his current works is the story of a little story playing its own music, and where everyone will be able to escape according to his mood.
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