Abandoned roses necklace (Identity Testimonies series), 2022
Imanol Marrodán  

Photography : archival pigment print · 30 x 45 x 0.1 cm 11.8 x 17.7 x 0 inch

$583 583 $US
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Shipped from: Spain

Delivery to: United States , $ 79

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

30 x 45 x 0.1 cm 11.8 x 17.7 x 0 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Spain

Credentials

Vetted seller since 2023

Description
Technique: Printing with charcoal inks on Hahnemühle paper.
Edition of 25.

Also available in 18 x 27 cm. Edition 25.
Imanol Marrodán, Abandoned roses necklace (Identity Testimonies series)
Spain  • 1964

Presentation

Imanol Marrodán. Bilbao 1964, Basque Country. 

An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project. 

The concept of limit, inspired by the idea of the ancient Roman "limes", quoted by the philosopher Eugenio Trias as a metaphor for a civilised and rationally controlled knowledge, is the starting point of a concept of limit that is not understood as the end of something, but as a means to a new "beginning" of renewal, growth and evolution. 

It is the process of forming an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment closely linked to the laws of the universe, which we hardly know, but which we still feel and sense. 

As a conclusion and main priority, Imanol Marrodán's creative project seeks to highlight and bring to light the different uses, utilities and practical applications of contemporary creation as one of the essential driving forces behind the future of a social, political and economic community, helping to determine, in a transversal manner, its changes and evolutions.

He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown in international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)...etc...

His work is widely represented in museums, public institutions and private collections.

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