Karl & Brides, Haute Couture 2010, Rue Cambon, Paris, 2010
Photography : C-print · 120 x 216 x 3 cm 47.2 x 85 x 1.2 inch
CHF 12,452
12 452 CHF
Delivered in time for Christmas
Shipping & delivery
Shipped from: United Arab Emirates
Delivery to: Switzerland , CHF 766
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
120 x 216 x 3 cm 47.2 x 85 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
About the photo: Chanel rue Cambon, an unusual scene for fashion shows but where it feels like home. Backstage, minutes before the show opened, Karl asked for Simon, earning the envy of a hundred photographers by his side. Rue Cambon has always been the stronghold of Gabrielle Chanel. It is in this 18th century building that she has set up her territory: on the first floor, the boutique, and on the second, the large living room where the collections are presented. It is also in this large salon that Haute Couture fittings take place. Then the mirror-lined staircase leads to her apartment on the second floor, an intimate place filled with her treasures. Above, the studio where Karl Lagerfeld now works, then the workshops, bathed in light, up to the roof. It houses all its activities: jewelry workshop, hats, sports workshop... This configuration, imagined by Gabrielle Chanel, has remained intact.
Presentation
The reason behind Simon Procter's’ unique approach comes from his background. He studied painting for many years and holds a BA (Honors) degree in Fine Art from the prestigious Trent University of Nottingham. This wider training has given him a certain edge.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
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