Lagerfeld above Logo, Fall/Winter 2006, Le Grand Palais Paris, 2006
Photography : C-print · 240 x 178 x 5 cm 94.5 x 70.1 x 2 inch
$25,554
25 554 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: United Arab Emirates
Delivery to: United States , $ 929
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
240 x 178 x 5 cm 94.5 x 70.1 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Simon was born in Lancashire, Northern England. He was raised in Royston a small mining village in South Yorkshire. He studied Fine Art for many years specializing in Painting and Sculpture. He is an influential photographer producing advertising for a wide range of high level clients including :Chanel, Dior, Nike, Reebok, Speedo, Adidas, Nokia, Hastens, Marriott, Mont Blanc, Falke. Since his debut exhibition in Miami Basel in 2008 Simon has become one of the most collectable photographers of his generation. His artwork is held in prestigious collections and museums worldwide. In 2015 Simon founded Orcadia Film, a cinema production company. Simon lives between Paris, New York and a farmhouse in northern France.
About the image: Graphic and architectural image of the great Karl who is very small in front of the Chanel logo. A personal moment of calm and concentration before the parade.
Presentation
The reason behind Simon Procter's’ unique approach comes from his background. He studied painting for many years and holds a BA (Honors) degree in Fine Art from the prestigious Trent University of Nottingham. This wider training has given him a certain edge.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
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