Grand Palais Fall/ Winter le Grand Palais Paris, 2006
Photography : C-print · 150 x 288 x 5 cm 59.1 x 113.4 x 2 inch
$25,668
25 668 $US
Shipping & delivery
Shipped from: United Arab Emirates
Delivery to: United States , $ 1,167
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 18 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
150 x 288 x 5 cm 59.1 x 113.4 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
About the photo: The show took up almost the entire length of the Grand Palais – it was huge. I waited in position to watch the brief rehearsal (which I also incorporated into part of the final image) and finally the show. The giant iMac was fantastic and the show started with the classic Macintosh OS startup sound effect. I doubled the models using different exposures. I separated Karl from the army of models a bit to make the effect more dramatic. I really liked the remote controlled mini zeppelin used to fly a camera over the show.
Presentation
The reason behind Simon Procter's’ unique approach comes from his background. He studied painting for many years and holds a BA (Honors) degree in Fine Art from the prestigious Trent University of Nottingham. This wider training has given him a certain edge.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
“There was a whole genre of painting that was not really relevant to me when I studied Fine Art. But once I started taking photos something - a whole tombe of composition and pictorial structure that I was trained to understand and analyse - clicked. This was a massive advantage.”
Simon Procter works on projects that involve both painting and photography, and is a thoroughly modern artist, tacking along the digital line that today blurs traditionally distinct artistic boundaries.
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