Untitled XVII. From the Series Chiromorphose, 2010

Nico Baixas / Gos-com-fuig  

Untitled XVII. (s-2-S3-0009). 2010 by Nico Baixas From the Series Chiromorphose Archival Pigment Print on Hahnemuhle fine art paper Sheet size: 100 H cm x 100 W cm. Image size: 90 H cm x 90 W cm. Edition of 5 + 1AP Unframed Black & White photography More Sizes and Editions: Small size: 50 H cm x 50 W cm. Edition of 20 + 1AP "Chiromorphose" 2010 Nico Baixas / Gos-com-fuig (Photographies by Mara Sanchez-Renero) 

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, I explored them like someone examining a foreign body, searching for their limits and pushing them in different directions. To do this, I used opposed sculptural concepts like straight-curved, and simple-complex; searched for the interconnection between fingers, and the balance between distances, and tried to generate geometric shapes and textures. At times, I would find shapes that were like doors opening onto a myriad of new possibilities. Throughout the process, I discovered a world of fingers that transformed reality taking it to another level. It is an abstract development, I didn't try to make the forms resemble known things. Despite this, the results are very suggestive, sometimes they look like architectural constructions or industrial designs, shells, corals, branches, flowers, masks. This effect is produced because many of these real objects are made with the same proportions or mathematical patterns inherent in nature. This is a question that interested me a lot. The fact that the distance of the finger bones coincides with the Fibonacci numbers, related to the golden ratio, which the Greeks and Renaissance considered the ideal of beauty, gives these shapes a special balance and perhaps a divine dimension.

This compelling artwork captures two hands subtly intertwined at the wrists, raised symmetrically against a stark, neutral background. The monochromatic palette emphasizes the interplay of light and shadow, drawing attention to the texture and form of the hands. The symmetrical arrangement creates a heart-like shape at the center, imparting a sense of unity and balance. The hands are clad in simple, long-sleeved attire, introducing an element of contrast between skin and fabric. This minimalistic composition is powerful in its simplicity, encouraging the viewer to interpret the gesture’s deeper meaning—whether it be a symbol of solidarity, connection, or introspection. Its unique focus on form and silhouette renders it an evocative piece that invites prolonged contemplation and dialogue. By stripping away extraneous detail, the artwork highlights the beauty and expressiveness inherent in human hands.