Mother and child, 1988
Kazuo Kitai  

Photography : silver print · 20.2 x 25.2 cm 8 x 9.9 inch

$2,560 2 560 $US

One of the last works available by this artist

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Shipped from: Japan

Delivery to: United States , $ 78

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

20.2 x 25.2 cm 8 x 9.9 inch Height x Width x Depth

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Description

Kazuo Kitai, born in Manchuria in 1944, dropped out six months into his first year of art school—an early sign of the rebellious spirit that would lead him to the protest movements of 1960s Japan. His first photography book, Resistance, was self-published in 1965. Throughout the rest of the decade, he continued to follow radical student protests, producing Barricade, Agitators, and finally Sanrizuka in 1971.
As the 1960s came to a close, Kitai grew disillusioned with political themes and turned his attention to the everyday lives of ordinary people. His first journey took him to one of Japan's most remote regions, Shimokita. In 1972 and 1973, he returned to the far north of Honshu, traveling through the neighboring area of Tsugaru.
Throughout the remainder of the 1970s, Kitai continued his exploration of rural Japan—a body of work that earned him the inaugural Ihei Kimura Prize in 1976, the country's most prestigious photography award.
Mother and Child (printed in 1988) belongs to this iconic period in his career, marked by a meticulous and moving documentation of a vanishing rural way of life.

Kazuo Kitai, Mother and child

Kazuo Kitai

Japan  • 1944

Presentation

Kazuo Kitai, born in Manchuria in 1944, dropped out six months into his first year of art school—an early sign of the rebellious spirit that would lead him to the protest movements of 1960s Japan. His first photography book, Resistance, was self-published in 1965. Throughout the rest of the decade, he continued to follow radical student protests, producing Barricade, Agitators, and finally Sanrizuka in 1971.
As the 1960s came to a close, Kitai grew disillusioned with political themes and turned his attention to the everyday lives of ordinary people. His first journey took him to one of Japan's most remote regions, Shimokita. In 1972 and 1973, he returned to the far north of Honshu, traveling through the neighboring area of Tsugaru.
Throughout the remainder of the 1970s, Kitai continued his exploration of rural Japan—a body of work that earned him the inaugural Ihei Kimura Prize in 1976, the country's most prestigious photography award.

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