Enter, 2011
Photography : archival pigment print · 110 x 95 cm 43.3 x 37.4 inch · Ready to hang
Shipping & delivery
Shipped from: Germany
Delivery to: Germany , € 68
Estimated delivery: Two to three weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 9 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
110 x 95 cm 43.3 x 37.4 inch Height x Width x Depth
Artwork dimensions including frame
112.6 x 97.6 cm 44.3 x 38.4 inch
Sold by
Art gallery
Professional art gallery • Australia
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
Concept of the Series Empty Spaces: When I was a small child, I was haunted by a recurring nightmare: I wander the streets and get lost, looking for my house and cannot find it. All houses seem the same to me, only insignificant details distinguish them from each other — I am searching forever. There is nobody around me. Emptiness. I am alone. The series Empty Spaces accompanies the person searching for a "comfortable place" — a place they can call their home. In this world full of ambiguity, a person does not want to be a guest, but to claim their own space in the universe for themselves. A new type of person is emerging who loves big cities and hates them at the same time. The city is made up of unnatural matter that has become inseparably connected with the human soul to form a new entity. The bigger a megalopolis is, the stronger its attraction. It is a powerful energy, indeed an impressive artificial intelligence, and without the human being it is just an empty shell. Such an emptiness also exists within us and demands to be filled. And we fill it. With matter. In big, bright, shining cities we often feel cold loneliness and helplessness. Behind the perpetual movement and hurry we discover the emptiness repeatedly. Achievements are illusory, benefits — deceptive. The slight suspicion arises that we should not be here.
Presentation
Katerina Belkina is a Russian painter and photographer born in 1974, in Samara, Russia. Belkina grew up in a family of artists. In 1989 she studied at the School of Art and in the academy of art of Petrow-Vodkin in Samara. From 1994 to 1999 she worked at the edition house Fedorow in Samara. In 2000, she began studying at the School of photography Michael-Musorin in her hometown until 2002. At the same time she worked as a computer graphic designer on a Russian television channel. She is also a member of the union of Russian photographers.
Belkina's photographic work is strongly influenced by painting and focuses entirely on portraits. In recent years she has mainly devoted herself to the creation of self-portraits. Through her work, she redefines the aesthetics of women in the 21st century. She retouches digitally many of her photographs to give them the appearance of paintings.
Her work has been the object of numerous awards and has been exhibited all over the world, in Russia, France, Canada, the USA, the Netherlands, China, Germany, Korea and Belgium.
Reviews from our customers
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