Lecture, 2017
Photography : fine art print · 40 x 30 x 0.2 cm 15.7 x 11.8 x 0.1 inch
$791
791 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 87
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 15 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 30 x 0.2 cm 15.7 x 11.8 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
All formats available.
This black and white photograph captures a serene scene in a Parisian park, where three elderly people sit on metal chairs reading a newspaper. The soft evening light creates subtle contrasts, accentuating the shadows of the falling leaves. The lines of the fence and chairs lead the eye to the calm water of the pool, which reflects the silhouette of the historic buildings in the background. The tranquil atmosphere is enhanced by the scattered leaves on the ground, evoking autumn. This shot captures a moment of peaceful contemplation, suspended in time, highlighting the understated beauty of everyday life. The balanced composition and controlled depth of field demonstrate remarkable technical skill, inviting reflection on the passage of time and tranquility.
Presentation
Alexis Duclos is a former photojournalist for the Associated Press and the Gamma agency. Having won several awards, Alexis Duclos has turned to authorial photography, establishing his signature style. His black and white photographs of the city reveal a rigorous mastery of framing and a distinctive use of light. His photographs express feelings: strangeness, humor, joy, worry, solitude… They are part of the author's highly personal approach.
Alexis Duclos work with film and prints his own photographs.
"Alexis Duclos's city carries our memory. It transforms it into an object of art."
Fabrice d'Almeida, historian.
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