The Litanist, 2015
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
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Shipped from: United Kingdom
Delivery to: United States , $ 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A profound study of resilience and faith. This archival pigment print captures a moment of deep spiritual intensity. A figure is draped in heavy fabric. The texture of the cloth suggests warmth and protection against a harsh environment. The subject is captured in profile. Hands are pressed together in a gesture of prayer or supplication. Every line on the skin tells a story of survival. The gaze is hidden beneath a traditional hat. This detail emphasizes the universality of the devotion.
The monochromatic palette strips away distractions. It focuses the viewer on the raw emotion and the tactile quality of the scene. The composition places the subject within a blurred crowd. This contrast highlights a private ritual occurring in a public space. The image explores the intersection of cultural identity and personal belief. It reflects a commitment to documenting the survival of ancestral traditions. The light softly contours the face and hands. It reveals a quiet strength. This artwork serves as a testament to the enduring nature of human spirit and memory. The focus remains sharp on the weathered hands.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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