The Litanist, 2015
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

$1,668 1 668 $US

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Shipped from: United Kingdom

Delivery to: United States , $ 103

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Description

A profound study of resilience and faith. This archival pigment print captures a moment of deep spiritual intensity. A figure is draped in heavy fabric. The texture of the cloth suggests warmth and protection against a harsh environment. The subject is captured in profile. Hands are pressed together in a gesture of prayer or supplication. Every line on the skin tells a story of survival. The gaze is hidden beneath a traditional hat. This detail emphasizes the universality of the devotion. 
The monochromatic palette strips away distractions. It focuses the viewer on the raw emotion and the tactile quality of the scene. The composition places the subject within a blurred crowd. This contrast highlights a private ritual occurring in a public space. The image explores the intersection of cultural identity and personal belief. It reflects a commitment to documenting the survival of ancestral traditions. The light softly contours the face and hands. It reveals a quiet strength. This artwork serves as a testament to the enduring nature of human spirit and memory. The focus remains sharp on the weathered hands.

Portrait

Black and white

Fictional Character

Grey

Maria Daniel Balcazar, The Litanist
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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