Untitled VIII and Untitled II Diptych, 2019
Mauricio Velez  

Photography : color edition, archival pigment print · 152.4 x 203.2 x 0.3 cm 60 x 80 x 0.1 inch

$7,000 7 000 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 9 copies

9 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

152.4 x 203.2 x 0.3 cm 60 x 80 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, disturb, or provoke reflection. His imagery confronts the audience with themes that resonate deeply, encouraging introspection and dialogue. Vélez's work spans a diverse range of subjects, from fundamental human concerns such as good and evil or life and death, to vivid portrayals of Colombian society through portraits of its most iconic figures. His socially engaged projects tackle complex issues like violence and conflict, transforming controversial topics into visual narratives that advocate for change. Notable series such as Half Angels, Half Demons and Portraits of Society stand out as pivotal contributions, with the latter becoming a key visual resource for promoting Colombian identity on an international stage. From the Series Colored Landscape Individual size: 60 in. H x 40 in. W Overall size: 60 in. H x 80 in. W Edition of 9 + 2AP Other sizes: 36 in. H x 48 in. W, Edition of 6 + 2AP and 80 in. H x 120 in. W, Edition of 15 + 2AP

Mauricio Velez, Untitled VIII and Untitled II Diptych
Colombia  • 1971

Presentation

Mauricio Velez was born and lives in Colombia. He was trained at the European Institute of Design in Italy. Since then, he has worked on a large number of projects in Latin America, the United States and Spain, offering, through his personal prism - images which he seeks to refine the sensitivity and perception of the viewer towards religious icons, art, and the human body.

His work confronts the viewer with a sense of aesthetics that balances between the spiritually inspired and the disturbed.

"In few photographers like Mauricio Velez does aesthetic become ethic. Every portrait scene is seamless. Every composition is an impeccable piece: the light, gesture, even the preference in models. Nothing can be discredited of the photographic style neither the clean technic. And for this aesthetic perfection, the message lends to the viewer in its pure state."

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