Lisbon, Portugal 1755, 2012
Maarten Demmink  

Painting : oil · 24 x 33 cm 9.4 x 13 inch

€1,000 1 000 €
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Delivery to: Italy , € 85

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

24 x 33 cm 9.4 x 13 inch Height x Width x Depth

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Description
Executed between 2010 and 2013, this series of paintings named "The Big Blow" documents the devastating effects of hurricanes, floods and other earthquakes over the centuries. Based on engravings or archival images, each work is titled after the location and year of a disaster, from the 1421 St. Elizabeth tidal wave in the Netherlands to the Breezy Point fire in New York in 2012. Maarten Demmink gave these paintings the look of damaged, yellowed, splotched and burnt vintage photographs as if they were historical relics. "The photograph creates distance and an illusion of authenticity", the artist explains. "A painting is considered to be subjective and a photo objective; I wanted to turn this around."

Bibliography:
Maarten Demmink. Galerie Jean-Marie Oger, Paris. 2022.

Urban Landscape Artworks

Landscape

figurative

Natural disaster

Environment

Lisbon

Portugal

Maarten Demmink, Lisbon, Portugal 1755
Netherlands  • 1967

Presentation

Graduated from the Royal Academy of Art in The Hague, Maarten Demmink (also known as Demiak) revisits the genre of landscape in the light of his contemporary concerns about environmentalism by the use of different mediums: paintings, mural wood sculptures, mixed media and staged photographs.

Through the motif of landscape shaped by human activity, he seeks to record the instability and the invisible, the time and the history, the traces left by nature and the cataclysms. His paintings looking like damaged vintage photographs of the series "The Big Blow" list some major natural disasters through the ages. Inspired by the Deep South, "Memoirs of Loss" is focused on ravaged houses, like an echo to a series of small sculptures of houses made in modest materials. Since the mid-2010s, he develops other themes into his series of landscapes, such as geopolitical considerations ("Escapism") or the memory of places ("The Book of Sand", "Ask the Dust") while pursuing his pictorial research by combining almost abstract or matierist elements ("Earth", "Labyrinths of Clay", "Urban Tissue").

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