Girl on Motorbike, Circa 1988
Tony Potts  

Photography : fine art print · 58.4 x 83.8 x 0.3 cm 23 x 33 x 0.1 inch

$390 390 $US
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Shipped from: Australia

Delivery to: United States , $ 71

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 20 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

58.4 x 83.8 x 0.3 cm 23 x 33 x 0.1 inch Height x Width x Depth

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Professional art gallery • Australia

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Vetted seller since 2022

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Description

In 1988, Tony Potts captures a striking portrait of confidence and attitude, set against an expansive coastal landscape. Shot in luminous black and white, the photograph centres on a woman seated on a motorbike, her gaze steady behind dark sunglasses. A polka-dot headscarf and bold striped top add graphic rhythm to the composition, while the open horizon and soft light create a sense of freedom and space.

Potts plays with depth and perspective, placing the chrome details of the motorbike in the foreground and allowing the figure to remain sharply defined as the background gently fades. The result is an image that feels both cinematic and timeless—balancing fashion sensibility with documentary immediacy. The styling evokes the spirit of late 1980s cool, while the subject's calm, self-possessed presence gives the work lasting contemporary relevance.

Bold yet understated, is an evocative photographic work that celebrates individuality, modern femininity, and the enduring allure of monochrome portraiture.

Tony Potts, Girl on Motorbike

Tony Potts

Australia  • 1955

Presentation

Tony's signature photographic style encompasses movement in the pursuit of capturing moments of sensuality that reveal the soul. He is adept at creating conditions revealing a person's true nature, capturing compelling, stirring and enduring images that reveal the sensuality in us all. 

Tony Potts has been associated with a camera lens and fashion in one way or another all his life. His mother, Judy Barraclough, was a world-famous model of the 1950s & 60s, and his Uncle David Potts was one of Australia's best-known Time/Life photographers of the 1940s & 50s.

Influenced by a world of fashion and photography as a child, Tony's career started as a camera assistant to the creative director and main photographer of Vogue Australia, whilst also studying photography at the Australian Centre of Photography when he quit after his first year at Sydney University doing a science-based degree.

Tony left Australia in 1975 for Europe and succeeded as an editorial model working with world-renowned fashion photographers such as Helmut Newton (French Vogue), Denise Piel, Patrick Demarchelier, Albert Watson, Toscani and many others. He appeared in many fashion magazines, including Harpers Bazaar and Vogue Magazines worldwide, including Australian, British, German and Italian Vogue, whilst living for 2 to 3 years at a time in London, Paris and New York.

Returning to Australia in 1981 with clarity and determination to interpret and distil the essence of life into his photography, Tony was soon shooting editorial fashion for all the leading contemporary Australian fashion designers and magazines, including Vogue and Harpers.

Tony's main focus these days is the art world of photography and the management of his 40-year archive, offering limited editions of his past and present work, with a collection of single edition vintage prints on show. His best-known images hang in prestigious private collections in Australia and the US. He is known for his B&W nudes and fashion editorial, particularly his Australian work in the 80s, 90s and early 2000s. 

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