Monochrome Art – Artichoke, 2023
Photography : archival pigment print · 80 x 60 x 0.2 cm 31.5 x 23.6 x 0.1 inch
$1,310
1 310 $US
Delivered in time for Christmas
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Shipped from: Germany
Delivery to: United States , $ 120
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 3 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
80 x 60 x 0.2 cm 31.5 x 23.6 x 0.1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This monochromatic study transforms the textures of an artichoke leaf into a compelling abstract composition, exploring the complexity within simplicity and the inherent dualities of nature. Sharp, protective thorns contrast with soft, delicate fluff, while meticulous attention to light reveals a landscape of smooth curves and intricate patterns. The work seamlessly blends hyper-realistic detail with abstract form, inviting a close contemplation of the quiet resilience within a botanical subject.
This photograph received an Honorable Mention at the 18th Black & White Spider Awards. It is a definitive piece from Natalie Truchsess's award-winning abstract work, where a minimalist, focused gaze reveals the profound structural drama and elegant contrasts hidden within organic forms.
Printed on Hahnemühle FineArt Baryta paper, with an Hahnemühle certificate of authenticity. Also available mounted on aluminum Dibond for an additional charge.
Total edition of 18 prints + 2 artist's proofs (AP), comprising:
13x - 50x40cm print includes a 2 cm white border.
3x + 1AP - 80x60cm, borderless print, also available mounted on aluminium dibond at an additional cost.
2x + 1AP - 120x90cm, borderless print, also available mounted on aluminium dibond at an additional cost.
Presentation
Coming from documentary photography, my work still begins with something I encounter – plants, everyday objects, places or situations that draw my attention. Over the years, however, my visual language has increasingly developed towards abstraction. My photographs emerge within a relational space in which different realities meet. Different photographic approaches give me different ways of exploring these in-between spaces and engaging with the multilayered nature of the world.
With Intentional Camera Movement (ICM), I explore not only a place, but also its atmosphere or Genius loci. From this I developed Remodel by Camera Movement (RCM), my own technique in which the recognizable form of a subject is dissolved through multidirectional camera movement. These works form the basis of what I call Photographic Lyrical Abstraction.
In my Emergographies, I explore a different kind of in-between space, arising from the relationship between my perception, something I encounter, and the possibilities of the camera. I can create the conditions, look closely and respond to what appears, but I cannot fully determine the result. The resulting image can often develop an identity of its own.
My work has received numerous international photography awards, including 1st Place at the FAPA Fine Art Photography Awards, 3rd Place at the IPA International Photography Awards and the MONOVISIONS Photography Awards, as well as Silver and Bronze awards at BIFA, PX3 and TIFA.
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