The Ecstasy of Gold 2, 2024
Maïlys Derville  

Photography : color edition, pigment ink, inkjet, digital, paper, HD print, fine art print · 75 x 50 x 0.27 cm 29.5 x 19.7 x 0.1 inch

$757 757 $US
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Shipped from: France

Delivery to: United States , $ 114

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 30 copies

29 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

75 x 50 x 0.27 cm 29.5 x 19.7 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Every Pentecost, thousands of pilgrims converge on the hamlet of El Rocío, in Andalusia, to honor the Virgin who is said to have appeared to a shepherd in the 15th century.

The procession includes both walkers and riders. On horseback, the riders lead the way, ensuring no one gets lost. In the heat, through the dust and across the river crossings, they advance with pride, their elegant figures seemingly belonging to another era. All wear thick leather trousers, once used for working in the fields or tending bulls. A heritage that has become tradition.

Among them was Andrés Labrador Díaz, an officer of the Guardia Civil, who had always been faithful to the pilgrimage.

Portrait

Everyday life

Cowboys

Spain

Tradition

brown

Maïlys Derville, The Ecstasy of Gold 2
France  • 1992

Presentation

Coming from a background in journalism, Maïlys Derville approaches photography through a field-based documentary practice, initiated alongside photographer Corinne Vachon. She has developed an approach based on immersion, long-term commitment, and proximity to the communities she encounters.

Throughout her travels in Africa, Central Asia, and Europe, she has built several striking series. "Mystic Valley" (2019), shot in the Wakhan Valley in Afghanistan, documents the daily life of the Wakhi people, far from the dominant representations of the country. "Only God Forgets" (2020) explores the Romanian Maramureș, a rural territory caught between Soviet heritage and contemporary mutations.

More recently, she traveled to Andalusia to photograph the Pentecost pilgrimages in El Rocío, capturing collective dynamics and bodies in the midst of religious fervor and festive celebration. At the crossroads of documentary and art, her work prioritizes portraiture, natural light, and sober compositions. Rooted in a humanist tradition, her photography seeks to capture the essence of beings and the density of ordinary moments, carrying themes of memory, transmission, and life.


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