A Gathering of Welcome, 2025
Photography : inkjet · 90 x 60 x 0.5 cm 35.4 x 23.6 x 0.2 inch
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 150
Estimated delivery: Four to five weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 7 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
90 x 60 x 0.5 cm 35.4 x 23.6 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
"The shortest distance between two people is a smile."
- African proverb
That joyful sound of warmth that meets you before any words do. Laughing eyes and outstretched arms filling a space with acceptance- in the African community, the language of welcome has a current, and it is the women who channel it. At Kenyan weddings, women lay a path of fabric, their feet dancing, ululations charging the air with celebration as they receive a new bride into the family. At the dinner table, there are piles of food – too much food – to demonstrate how valued a guest is. At births, it is their overwhelming delight at receiving a long awaited newcomer to their circle, that spills over into pure acceptance. Resoundingly, it is not the size of a community that determines its warmth; it is the welcome of its women.
Presentation
Born and raised in Nairobi, Kenya, Thandiwe Muriu discovered photography at age 14, experimenting with her father's old Nikon camera. Self-taught, she immersed herself in books and video tutorials, learning from every resource she could find, as Kenya did not have any formal photography schools. By age 17, she was working professionally, and by 23 had shot her first solo advertising campaign. By 2019, she was photographing campaigns for some of the largest companies in East Africa.
In 2024, Thandiwe Muriu's work gained further prominence with her collaboration on the prestigious Lavazza Calendar, showcasing her unique artistic perspective. She also participated in major international exhibitions, including Paris Photo 2024 and 1-54 London, where her vibrant and culturally infused portraits captivated global audiences. Muriu's recent exhibitions reflect her growing influence in the world of contemporary photography, solidifying her place as a leading figure in the exploration of identity and culture through visual arts. Additionally, her work was featured in the "WAX" exhibition at the Musée de l'Homme in Paris, organized in collaboration with the 193 Gallery, further solidifying her position in the contemporary photography scene. Muriu's recent exhibitions reflect her growing influence in the world of contemporary photography, solidifying her place as a leading figure in the exploration of identity and culture through visual arts.
As the sole woman operating in the male-dominated advertising photography industry in Kenya, Thandiwe repeatedly confronted questions around the role of women in society, the place of tradition, and her own self-perception. These experiences inspired her first work, the Camo series, a project of cultural reflection. Camo was the catalyst for her to push new boundaries in her photography, leading her into a deeply personal artistic journey.
Thandiwe Muriu's work showcases Africa's unique mix of vibrant textiles, cultural practices, and beauty ideologies. Creating surreal illusions that are not digital manipulations but rather pure photography, she confronts issues surrounding identity and self-perception while seeking to redefine female empowerment through the application of her choice of materials, such as fabric and common household items.
Thandiwe Muriu is an artist with a highly atypical career path. She began her artistic career just three years ago, yet her work is already represented in many major private and public collections: Fondation Gandur from Switzerland, UHODA collection from Belgium, The Contemporary African Art collection by Pigozzi, the Carla and Pieter Schulting collection and the Allure collection in Switzerland, as well as the Joy Simmons collection, the Hood Museum, and the Eleanor Crook Foundation. In addition, numerous museum board members (including Moma, Tate, V&A, and Perez) have purchased her work.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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