White why now, 2023
Gaston Bertin  

Photography : wood · 45 x 30 cm 17.7 x 11.8 inch

€3,500 3 500 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 30

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cminch )

45 x 30 cm 17.7 x 11.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

Light transforms into a tangible presence. This 2023 photography piece explores the boundary between the visible and the unknown. The artist avoids digital manipulation to capture genuine atmospheric shifts. He focuses on handmade paper constructions to evoke deep human emotions. 
Soft white spheres drift across a deep crimson void. These blurred shapes suggest a dialogue between time and space. The composition relies on precise control of depth of field and perspective. Rhythmic gradients create a sense of floating weightlessness. 
The narrative bypasses structured language to reach the subconscious. It is an exercise in chance and spontaneity. Every glow originates from a physical interaction between light and material. The result is a seamless blend of precision and randomness. The visual tension resides in the contrast between the luminous white center and the saturated red horizon.

Gaston Bertin

France  • 1965

Presentation

" I am a photographer searching for things that do not exist, through light and color I intend to trigger emotions and feelings. My images are photographs of hand made paper constructions. My work it is about creating situations where random factors come into place to create the unexpected. My work is about time and space and how they are interrelated. My work is about the states of awareness and the activities of the human consciousness that can hardly be described by structured language. My work is about the unknown. I play with light, focus, depth of field and perspective, and I stay away from computer generated manipulations. Until recently I shot negative film and I did my own printing. Now I work digitally, my methodology has not changed, my camera remains my main tool."  ?

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