À contretemps, 2026
Photography : archival pigment print · 60 x 40 x 0.1 cm 23.6 x 15.7 x 0 inch
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Shipped from: France
Delivery to: United States , $ 127
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
60 x 40 x 0.1 cm 23.6 x 15.7 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
The photograph captures a moment of passage in a Parisian street. In front of an imposing red door, whose vertical lines almost entirely structure the image, a silhouette crosses the frame. Their body, driven by movement, contrasts with the massive and immobile presence of the architecture.
The composition rests on this opposition between stasis and movement. The details of the facade and the door give the image a rigorous structure, while the blur of the passerby disturbs it. The depth of the red dominates the scene and transforms an everyday architectural element into a true pictorial surface, before which the human figure appears momentarily before disappearing.
Through this photograph, Bianca Cassandre continues her exploration of movement in urban space and the ephemeral presence of bodies in the city. The blur does not conceal the subject: it records their passage. The image thus retains less of a person's identity than a trace of their existence in a specific place, for a fraction of a second.
Pigment print on Hahnemühle Photo Rag® Baryta 315 g/m², signed and numbered by the artist.
Presentation
Bianca Cassandre is a photographer born in New York and based in Paris, whose practice lies between documentary instinct and artistic abstraction. Working mainly in the street, she uses movement, light, and intentional blur to transform fleeting encounters into images that oscillate between the recognizable and the indeterminate.
Holding a Master of Fine Arts in Photography and Image-making from Paris College of Art, she sees photography less as a recording of the visible than as an exploration of perception and memory, being interested as much in what an image can suggest or leave suspended as in what it shows.
Bianca's work was the subject of a four-page report in the magazine, highlighting her distinctive use of intentional blur and movement. Her professional background also includes assignments around the Paris 2024 Olympic Games. Her works have been exhibited at the Bastille Design Center, Les Frigos and The Muisca Gallery, as well as at DCS Contemporary in Karlsruhe, Germany.
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