Curb, 2020
Photography : fine art print · 40 x 40 cm 15.7 x 15.7 inch · Ready to hang
€980
980 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 64
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 6 copies
6 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 40 cm 15.7 x 15.7 inch Height x Width x Depth
Artwork dimensions including frame
40.1 x 40.1 cm 15.8 x 15.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
All images were shot on Hasselblad 500c/m, 80mm lens, using Fuji 120mm slide film. All prints are Giclée Prints of 70x70cm or 40x40cm on 240gr Fine Art Matt Photo paper, mounted on Dibond, black wood frame without glass.
The series “Condition” captures the stillness of night but also leads us to questions regarding what it could be interpreted as. The night, emptiness, a lack of people, used as a metaphor for being shut out, shunned, excluded from something.
That “something”, as an “event”, is not relevant but the work intends to have the viewer imagine how it could be, to be ostracised. The work plays with the idea of capturing a psychological state, a feeling felt due to conditions that are present, a sense of being left out, excluded from something happening somewhere which may, or may not, have personal attachment. Being in a place away from somewhere you think you should be.
The series “Condition” captures the stillness of night but also leads us to questions regarding what it could be interpreted as. The night, emptiness, a lack of people, used as a metaphor for being shut out, shunned, excluded from something.
That “something”, as an “event”, is not relevant but the work intends to have the viewer imagine how it could be, to be ostracised. The work plays with the idea of capturing a psychological state, a feeling felt due to conditions that are present, a sense of being left out, excluded from something happening somewhere which may, or may not, have personal attachment. Being in a place away from somewhere you think you should be.
Presentation
Nicholas Winter attended his first photography class in secondary school before studying art & design and photography at Canterbury and Bournemouth colleges in England. The Fine Art Photographer produces silver photographs using darkroom techniques and processes. Nicholas Winter also manipulates Polaroids and creates photographic objects.
Based in Basel, Switzerland since 2002, Nicolas Winter's works have been shown in Europe and are part of private collections.
Fragility is a common thread in all of Nicholas Winter's artistic research.
The artist observes and examines things hidden from the surface at first glance. The photographer defines fragility by a "constant space": the space between reality and what could or should be. Within this brittle state, this layer, lies the potential to become aware of vulnerability, the impermanence of existence.
Through his photographic work, Nicholas Winter highlights the subtleties that make up our lives by clarifying the presence of fragility in our modern society.
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