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Codes esthétiques 2380, 2016
Konstantin Kornakov  

Photography : pigment ink · 60 x 40 cm 23.6 x 15.7 inch

€700 700 €
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Delivery to: Germany , € 29

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 4 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

60 x 40 cm 23.6 x 15.7 inch Height x Width x Depth

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Description
“Everything we can see around us has a hidden aesthetic, and the artist's goal is to see and release it. There is nothing accidental about our world where all objects have no only a utilitarian meaning, but also contain in itself certain “aesthetic codes.” Photographing sections of wall in today's cities is to try to participate in the transformation of the gaze that the generalized urban phenomenon has triggered. Indeed, decrepit sidewalks or walls have nothing of interest a priori. They are witnesses to the power of rapid decomposition which is at work in cities. And indeed, the walls that Konstantin Kornakov photographs bear traces of this "leprosy" which covers the abandoned walls of certain corners of the towns. On a certain number of images, in fact, one distinguishes such signs which one quickly understands that they are not addressed to anyone but nevertheless bear witness to the passage of man on earth. lures, spots, uncertain patterns which, here seen up close and enlarged, begin to speak our language, because we are the ones who finally traced them, these signs.

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Konstantin Kornakov, Codes esthétiques 2380
Russian Federation  • 1970
51 followers

Presentation

Painter and designer, Konstantin Kornakov is also a photographer. His images have the particularity that even if he photographs elements he sees and finds in the street, they represent neither people, nor objects, nor real landscapes.

He uses his device less as a means of recording reality than as an instrument of vision. Because what he photographs are visions first of all. He need indeed have had some kind of visual revelation to be able, then, to press the shutter.

His motives are fragments of urban landscapes, non-identifiable corners with no importance for "where", but with its plastic quality, the visual event, the fact of appearance of an element of beauty in the cacophony of the world.

Artist lives and works in Moscow.

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