Untitled VI, 2016
Photography : color edition, archival pigment print · 60 x 90 x 0.3 cm 23.62 x 35.44 x 0.1 inch
€1,868
1 868 €
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Delivery to: Germany , € 234
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 12 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
60 x 90 x 0.3 cm 23.62 x 35.44 x 0.1 inch Height x Width x Depth
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Description
Untitled VI From The Series Of La Costilla Roja, 2016 by Jose Sierra Image size: 23.62 in. H x 35.44 in. W Edition of 10 + 2AP Unframed
More Sizes Available: Small size: 15.75 in. H x 23.62 in. W Edition of 10 + 2AP.
Series result of the artistic residence "Pitalandia" in the municipality of Pitalito department of Huila, 2016.
This artwork presents a hauntingly surreal scene bathed in deep crimson light, in which a figure appears shrouded in enigmatic shadows amidst a lush jungle setting. The dramatic use of red hues creates an intense, almost otherworldly atmosphere. The figure, partially obscured by large, fan-like leaves, is seated on a wooden chair, blending seamlessly with the organic chaos surrounding it. The interplay of light and darkness accentuates the contours of the body, suggesting both vulnerability and power. This piece masterfully contrasts the structured form of the chair with the wild, untamed nature encroaching upon it. The artist skillfully employs chiaroscuro to evoke a sense of mystery and tension, enveloping the viewer in an immersive, evocative experience. The composition intrigues and invites contemplation on the relationship between humanity and nature, light and shadow.
Presentation
Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.
In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."
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