Untitled VII, 2016
José Sierra  

Photography : color edition, archival pigment print · 60 x 90 x 0.3 cm 23.62 x 35.44 x 0.1 inch

€1,821 1 821 €
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Delivery to: France , € 228

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 12 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

color edition, archival pigment print on Fine art paper

Dimensions ( cminch )

60 x 90 x 0.3 cm 23.62 x 35.44 x 0.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2019 • Top Seller

Description

Untitled VII From The Series Of La Costilla Roja, 2016 by Jose Sierra Image size: 23.62 in. H x 35.44 in. W Edition of 10 + 2AP Unframed 

More Sizes Available: Small size: 15.75 in. H x 23.62 in. W Edition of 10 + 2AP.

 Series result of the artistic residence "Pitalandia" in the municipality of Pitalito department of Huila, 2016.

This evocative artwork captures a striking scene bathed in an intense red hue, creating a sense of otherworldly mystery. Central to the composition is a figure seated on a wooden chair, partially obscured by shadows, enhancing the enigmatic nature of the piece. Surrounding the subject, a dense, jungle-like environment teems with thick foliage, emphasizing isolation and untamed beauty. The interplay of light and darkness adds depth and drama, drawing the viewer's eye to the contours and textures in the scene. The red lighting evokes a sense of urgency and passion, challenging conventional perceptions of color and emotion. This provocative work invites contemplation on the boundaries between the natural and the constructed, urging viewers to explore themes of identity and presence within a richly surreal setting.

José Sierra, Untitled VII

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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