Rubato #10, 2019
Print : engraving · 65.4 x 50.2 cm 25.7 x 19.8 inch
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Shipped from: United States
Delivery to: United States , $ 109
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65.4 x 50.2 cm 25.7 x 19.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Her work is included in numerous private and public collections, including Metropolitan Museum of Art, Museum of Art, Whitney Museum of American Art Library.
Emily Berger is a member of American Abstract Artists.
Presentation
Emily Berger is an American abstract painter based in Brooklyn, New York. Her paintings are minimal and gestural, revealing in process and celebrating the hand of the artist. Berger is a member of American Abstract Artists. After graduating from Brown University, Berger earned her MFA in Painting from Columbia University, and attended the Skowhegan School in Maine. She has lectured extensively and participated in numerous artist residencies, including the Norte Maar Adirondacks outpost. Berger has exhibited internationally in numerous galleries and museums. Her work is included in numerous private and public collections, including Metropolitan Museum of Art, Department of Drawings and Prints, New York; Museum of Modern Art, Library Special Collection, New York; Whitney Museum of American Art Library; Phillips Collection, Washington, DC; Cleveland Museum of Art, Ohio; and the Delaware Art Museum, among others. Berger works with oil paint on wood panels. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of complementary colors creates a sense of push pull, endowing her compositions with nuanced luminosity. Scraping and scumbling the layers of paint, Berger gives her paintings a textured, painterly, material presence. She describes her method as being in the tradition of Abstract Expressionism—as if an event is taking place in the arena of the painting. Her approach, however, is quite controlled. Despite its structural reliance on the grid, the interplay between planning and the emergence of accidents lends the work a feeling of energy and mystery.
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