Land 4, 1990
Print : lithography · 50 x 65 cm 19.7 x 25.6 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 34
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from Editions Atelier Clot
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 99 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Editions Atelier Clot
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 65 cm 19.7 x 25.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Clot, Bramsen & Georges printing.
Hand signed and numbered by the artist.
Publisher's dry stamp (Atelier Clot).
Original lithograph.
The Clot workshop is one of the oldest and most famous lithography workshops in the world. Since 1896, his name has been associated with that of the greatest painters from the end of the 19th century to the present day. Lautrec, Degas, Renoir, Rodin, Monet, Munch ... or more recently Foujita, Matisse, Calder, Soulages have printed their works there.
Presentation
In 1942, Yvon Taillandier exposed for the first time at the Gallery "L'art Français", in Lyon. Later on, he was committee Secretary of the "Salon de Mai" during 44 years.
Yvon Taillandier's painting is figurative, constantly narrative and creates an imaginary world with its personages and situations. Creator of "Taillandierland", the painter depicts this invented world with its habitants, its universe. Mixing image and language, Yvon Taillandier claims to be a literary painter.
From one painting to another, the shapes are modified, renew, man is often paired with machines, which are like a prolongation of himself. These curious characters have a certain timelessness.
In the 50s, Yvon Taillandier gave up painting and devoted himself to literature (art criticism, history of art). He worked then during fourteen years in the magazine "Connaissance des Arts" as well as in the magazine "xxe siècle".
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