La Danseuse, 1955
Print : lithography · 65 x 49 x 0.1 cm 25.6 x 19.3 x 0 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 95 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
65 x 49 x 0.1 cm 25.6 x 19.3 x 0 inch Height x Width x Depth
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Art gallery
Credentials
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Description
La Danseuse is an original lithograph realized by Italian Futurist artist Gino Severini in 1955. Limited edition series, numbered 88 of 95 on the lower left. Hand-signed by the artist on the lower right corner.
Exhibition references: Primo salone dell'Associazione Incisori d'Italia , Palazzo Sormani, Milan 11 November - 2 December 1956, n. 242; Gino Severini, Musée National d'Art Moderne, Paris, July-October 1967, n. 182; VII biennial of contemporary Italian engraving, presentation by Roberto Salvini, Opera Bevilacqua La Masa, Venice, 1-20 June 1968, p. 86 et seq .; Gino Severini en Suisse, presentation by C. Journet and P. Fasel, Chateau de Romont, Romont, 15 June - September 1974, n. 10.
Ref. Gutekunst & Klipstein. Catalogue des Estampes Contemporaines Editées en 1954-55, Gutekunst & Klipstein, Bern, 1955, no. 49; Francesco Meloni, Gino Severini, Tutta l'Opera Grafica (Catalogue Raisonné), p. 68 no. 26
La Danseuse is a smart and fresh artwork representing a dancer in movement realized by the Italian Futurist artist Gino Severini. The work references elements of Cubist and Futurist art to express energy in the work. In this representation, the human form dissolves and shatters into splinters of color that are embodied in the colored background. The bidimensional surface is formed by colored wedges that form both curved and straight lines. Here we can recognize an influence of the spatial division resulting from a Cubist research assimilation. Moreover, the colors are juxtaposed on the surface with flat brushstrokes to convey an overall sense of geometric design.
Exhibition references: Primo salone dell'Associazione Incisori d'Italia , Palazzo Sormani, Milan 11 November - 2 December 1956, n. 242; Gino Severini, Musée National d'Art Moderne, Paris, July-October 1967, n. 182; VII biennial of contemporary Italian engraving, presentation by Roberto Salvini, Opera Bevilacqua La Masa, Venice, 1-20 June 1968, p. 86 et seq .; Gino Severini en Suisse, presentation by C. Journet and P. Fasel, Chateau de Romont, Romont, 15 June - September 1974, n. 10.
Ref. Gutekunst & Klipstein. Catalogue des Estampes Contemporaines Editées en 1954-55, Gutekunst & Klipstein, Bern, 1955, no. 49; Francesco Meloni, Gino Severini, Tutta l'Opera Grafica (Catalogue Raisonné), p. 68 no. 26
La Danseuse is a smart and fresh artwork representing a dancer in movement realized by the Italian Futurist artist Gino Severini. The work references elements of Cubist and Futurist art to express energy in the work. In this representation, the human form dissolves and shatters into splinters of color that are embodied in the colored background. The bidimensional surface is formed by colored wedges that form both curved and straight lines. Here we can recognize an influence of the spatial division resulting from a Cubist research assimilation. Moreover, the colors are juxtaposed on the surface with flat brushstrokes to convey an overall sense of geometric design.
Presentation
Considered the most French of Italian painters and designers, Gino Severini was born in Tuscany in 1883 and died in Paris in 1966. While being an active member and creator of the Italian futurist manifesto, he rubbed shoulders in France with the artistic avant-garde and during his career. career as a painter, he crosses all the major pictorial currents of the twentieth century, he will start with divisionism, then futurism, cubism, figurative to end with neo-futurism and finally abstraction. He is a great Italian painter of the 20th century, and today we can find his works in many modern art museums (Paris, Rotterdam and New York in particular).
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