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Woman, 1971
Marcello Ercole  

Print : lithography · 70 x 50 x 0.2 cm 27.6 x 19.7 x 0.1 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Print : numbered and limited to 100 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 0.2 cm 27.6 x 19.7 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2019 • Top Seller

Description
Woman is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100 prints .
Marcello Ercole, Woman
Italy  • 1926

Presentation

Marcello Ercole (Luco dei Marsi 1926)

His first artistic experiences were in Paris and Berne, but he trained in Rome attending in the Fifties his studies in Via Margutta and Villa Strohlfern where painters and sculptors worked among the most fashionable of the post-war period. In '59 the critic of the "Literary Fair", Giuseppe Sciortino prepared his first solo show in Rome, at the "Il Vantaggio" gallery directed by Eleonora Posabella.


He arrives at the Rome Quadriennale and is invited to the National Biennial of Sacred Art "Federico Motta Award", to the "F.P. Michetti ", at the" Villa S. Giovanni "Award, at the" Premio Alatri ", at the" Premio Vasto ", where on the occasion of the XIV edition Luigi Carluccio and Mario Pomilio present his anthological exhibition. In 1979, in meetings with the artists organized by the Vatican Chancellery, he met Mons. Giovanni Fallani (President of the Pontifical Commission for Sacred Art), who had him perform some religious-themed works, including the two Pale for the Church of Santa Marcella in Rome.


He takes part in group exhibitions in New York, Moscow, Leningrad, Toronto, Montreal, Kofu, Jamanaki (Japan). In 1980 in Rome Ettore Russo hosted him at the "Barcaccia" where he returned in 1983. Meanwhile, on behalf of the parish priest of Luco dei Marsi, he worked at the vaults of the eighteenth-century chapel of the Church of St. John the Baptist.

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