Radio Head, 2018
Print : aerosol paint, Screen Print · 91.4 x 61 x 2.54 cm 36 x 24 x 1 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 40 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
91.4 x 61 x 2.54 cm 36 x 24 x 1 inch Height x Width x Depth
Artwork dimensions including frame
96.48 x 66.08 x 2.74 cm 38 x 26 x 1.1 inch
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Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Medium: Screen Print With Hand Finish In Aerosol.
Edition: of 40.
Notes: Custom Framed Floating in White with a Flat White Frame.
Edition: of 40.
Notes: Custom Framed Floating in White with a Flat White Frame.
Presentation
One of the most influential street artists to emerge from New York, Dain combines the visual language of graffiti with collaged old portraits of Hollywood glamour stars.
Crossing genres and often working single pieces back and forth between the street and studio, Dain combines wheatpasting, silkscreening, spray paint, collage, and acrylic. His process begins with a black-and-white photo that he layers with old advertisements, printed fragments, logos, and miscellaneous smaller images.
He then begins adding paint; his unmistakable trademark is the “circle and drip” around the eye of his subjects. Dain views his work as a confrontation between the destructive gestures of graffiti and the femininity of his Hollywood subjects.
Crossing genres and often working single pieces back and forth between the street and studio, Dain combines wheatpasting, silkscreening, spray paint, collage, and acrylic. His process begins with a black-and-white photo that he layers with old advertisements, printed fragments, logos, and miscellaneous smaller images.
He then begins adding paint; his unmistakable trademark is the “circle and drip” around the eye of his subjects. Dain views his work as a confrontation between the destructive gestures of graffiti and the femininity of his Hollywood subjects.
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