Lame de fond, 1974
Print : lithography, paper · 76 x 56 cm 29.9 x 22 inch
€400
400 €
Delivered in time for Christmas
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Shipped from: France
Delivery to: Germany , € 35
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
lithography , paper on paper
Dimensions ( cm • inch )
76 x 56 cm 29.9 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Description
TELEMAQUE Hervé, Original lithograph on Arches paper, Lame de fond, 1974, signed and numeroted in pencil by the artist, 75 impressions + XXV, sheet size 56 cm x 76 cm, image size 56 cm x 76 cm. Perfect condition. Comments : Available also with some variations for the background.
Presentation
Herve Télémaque was born in Port-au-Prince on November 5, 1937. In 1957, he left Haiti and went to New York, where he joined the Art Student's League and studied with Julian Levi until 1960. During his stay in the United States, he is simultaneously inspired by the abstract expressionism that was dominating the art world at the time and by surrealism, as it had been reinterpreted and exploited by the American artists, particularly under the influence of Arshile Gorky. But it is with Pop Art that he truly finds his path. He came back to France in 1961 and settled in Paris. He meets Surrealist artists, but doesn't formally join their group.
Télémaque composes his own visual vocabulary. His paintings depict ordinary objects: white canes, tennis shoes, camping tents. He is part of the "narrative figuration" adventure, that of artists such as Klasen, Monory, Rancillac, Fahlström, that art critic Gerald Gassiot-Talabot brought together in 1964 in the exhibition entitled "Mythologies quotidiennes".
Télémaque composes his own visual vocabulary. His paintings depict ordinary objects: white canes, tennis shoes, camping tents. He is part of the "narrative figuration" adventure, that of artists such as Klasen, Monory, Rancillac, Fahlström, that art critic Gerald Gassiot-Talabot brought together in 1964 in the exhibition entitled "Mythologies quotidiennes".
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