Don't Look Up, 2026
Print : inkjet, collage, fine art print, giclée · 100 x 80 x 0.01 cm 39.4 x 31.5 x 0 inch
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Shipped from: Spain
Delivery to: Germany , € 77
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 80 x 0.01 cm 39.4 x 31.5 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
There are different levels of interpretation for this work - on the one hand we shy away from truths that we do not wish to acknowledge, on the other there are literal ramifications that, for too many, are a daily reality.
Two monolithic silhouettes stand in silent dialogue. The compositions evoke an ancient, ritualistic presence. One figure emerges in deep ochre tones. The other glows in a muted, textured rose.
The artist blends a background in photographic arts with a passion for raw drawing. This fusion creates a distinct digital montage. Each form is built from dense, rhythmic scribbles. These layers suggest depth and internal complexity.
The figures exist in a minimalist space. A soft, pale violet sky meets a grey, grounded plane. Subtle reflections pull the viewers eyes downward. This symmetry adds a sense of stability and weight.
The aesthetic bridges the gap between early Renaissance structure and modern Abstract Expressionism. It explores the timeless nature of human connection. There is a profound stillness in the arrangement. The silhouettes do not possess faces. This anonymity invites a universal interpretation of kinship or loss.
The artwork balances organic textures with precise digital execution. Fine lines cut across the brown figure. Horizontal bands streak through the pink form. These marks create a visual tension that suggests a crossing of divides. The image concludes with a soft gradient of light across the neutral background.
Presentation
Born in 1956 in Britain Jane Munro is a fresh and exciting new artist to the art market. She has followed a continuous path in the field of visual imagery since obtaining a BA degree in Film and Photographic Arts from the Polytechnic of Central London in 1981 where she was tutored by Victor Burgin and Simon Watney and became part of the group known as the PolySnapper with Jo Spence. Subsequently she created a photographic studio in Dalston, London which undertook commissions for publishing groups, PR companies and advertising agencies whilst continuing to create a career in portraiture. In the 1990s she set up a photographic and design studio in Birmingham. During these years a style began to emerge that germinated the seeds for later developments and the move into mixed media, montage and digital artwork. Throughout this time, she was using double exposure techniques both in her commercial work and in in the creative sphere which has formed many of the building blocks that underpin her current trajectory. Jane has received many commissions throughout her career that has taken her across the globe informing her in the current artwork that she is now producing.
The ongoing debate of representation and its cultural significance in a societal context has always been at the heart of her work. The advent of technological changes was propitious in many ways and enhanced her visual lexicon, opening-up an entirely new palette of possibilities.
More recently her work has developed and matured into a comprehensive style that is entirely unique in this field,pertinent to contemporary events and the eternal human questions of love, death and loss. 'Crossing The Divide', featuring a mother and son relationship was shown and sold at the London Art Biennale 2025.
Grounded in a love of the History of Art with strong influences from the Early Renaissance defined by the works of Masaccio and Piero De La Francesca through Expressionism and to Abstract Expressionism it is possible to trace some of the key elements that provide the foundations upon which the work has emerged. Through the digital revolution in photography, Jane arrived full circle to her original passion for drawing and montage.
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