In the Silence of the Drum, 2022
Simphiwe Ndzube   Emerging artists

Print : Screen Print · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch

€3,680 3 680 €

One of the last works available by this artist

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Shipped from: United States

Delivery to: Germany , € 186

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 53 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth

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Credentials

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Description

Medium: Screen Print using three special effects: zinc on the left waveboard, solar gold on the islands, and magenta metallic on the horse and the face.
Edition:  10/55
Notes: Artwork is in Excellent Condition. New. Unframed. Signed, dated, titled, and numbered (lower sheet).

Simphiwe Ndzube, In the Silence of the Drum
South Africa  • 1990

Presentation

Simphiwe Ndzube is from Hofmeyr, Eastern Cape, and lives and works in Los Angeles, California, and Cape Town, South Africa. He has a BA Fine Art from the Michaelis School of Fine Art, University of Cape Town.

Ndzube's work is characterized by a fundamental interplay between objects, media and two-dimensional surfaces; stitching together a subjective account of the Black experience in past and present-day South Africa from a mythological perspective. Recent exhibitions include Isithunywa so Moya | Messenger of the Spirit, Nicodim Gallery, Los Angeles, USA (2022, solo); Masemola Road, Stevenson Gallery, Cape Town (2022); and Oracles of the Pink Universe, Denver Art Museum, Denver USA (2021, solo). His work is collected by the Los Angeles County Museum of Art; Denver Art Museum; Musée d'art Contemporain de Lyon, France; Iziko South African National Gallery, South Africa; Zeitz Museum of Contemporary Art Africa, South Africa; Rubell Museum, and many others.


Narrative influences include Ben Okri, Alejandro Jodorowsky, Gabriel García Márquez, Italo Calvino, and Zakes Mda. In particular, Ndzube highlights Magical Realism: Theory, History, Community by Wendy B Faris and Lois Parkinson Zamora which describes magical realism as "a mode suited to exploring—and transgressing—boundaries, whether the boundaries are ontological, political, geographical or generic. [It] facilitates the fusion, or coexistence, of possible worlds, spaces, [and] systems that would be irreconcilable in other modes."

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