Le serpent des sables s'est trompe de film, 2021
Print : aquatint, eau-forte, etching · 41 x 35 x 0.1 cm 16.1 x 13.8 x 0 inch
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Shipped from: France
Delivery to: United States , $ 28
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from Éditions RLD
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 60 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Éditions RLD
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aquatint , eau-forte , etching on Fine art paper
Dimensions ( cm • inch )
41 x 35 x 0.1 cm 16.1 x 13.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
In this engraving, each element seems to emerge from a dream or nightmare, with an almost supernatural precision. The figures resemble monstrous creatures, floating in a chaotic and highly detailed scene, each form twisting and merging with the others in a grotesque dance. The work suggests an atmosphere that is both post-apocalyptic and surreal, inviting a personal and profound interpretation of each detail.
The sand serpent got the wrong movie.
Original copper engraving 25 x 25 cm by Nicolas Barrome Forgues.
Etched and aquatinted by the artist in our Parisian workshops and printed at Métairie Bruyère in Burgundy.
Limited edition of 60 numbered and signed copies.
Rives vellum paper 41 x 35 cm.
Éditions RLD 2021.
Presentation
He grew up in the Basque country and made his first artistic steps in the School of Applied Arts in Bordeaux. Then Troyes, before embarking on illustration and creating with his friends the Jeanspezial and Jeanclode collectives.
He first painted on the walls with his friends, his images evolved rapidly lead by the discovery of new techniques, including etching, which had a real impact on the way he produced images. Passionate about cinema and staging, obsessed with wefts and textures, his universe is rich and detailed, his images are often complex including several levels of reading.
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