Life Of Icons, 2018
John Matos Crash   Best sellers Emerging artists

Print : paper · 50 x 50 cm 19.7 x 19.7 inch · Ready to hang

$257 257 $US
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Shipped from: France

Delivery to: United States , $ 93

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 40 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 cm 19.7 x 19.7 inch Height x Width x Depth

Artwork dimensions including frame

52 x 52 cm 20.5 x 20.5 inch

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Credentials

Vetted seller since 2013 • Top Seller

Description
Original lithograph 2018 edited at 40 copies
Edition : #20/40
John Matos Crash, Life Of Icons
United States  • 1961
513 followers

Presentation

Crash (John Matos) is a graffiti artist born in the Bronx on October 11, 1961. He is one of the major protagonists of the ?spray can (R)evolution?.

He starts to do graffiti while he is still very young, on the New York trains, before passing to canvas.

He joins the Sidney Janis Gallery in 1983. His works are acquired by the most important collections in the world, from the MoMA in New Yorks to the Stedelijk Museum in Amsterdam.

The public gets to know him when he co-produces, with Keith Haring, the Peter Stuyvesant advertising campaign. In France, he achieves fame after taking part in the 5/5 Figuration Libre exhibition France-USA at the Musée d'art moderne de la Ville de Paris in 1984. This exhibition featured the work of artists such as Basquiat, Boisrond, Combas, Keith Harring, Tseng Kwong Chi, Di Rosa... and John Matos Crash.

His style is close to comics, he uses flamboyant colors that remind us of the world of advertising and his works assert themselves as pure producs of the contemporary world. He is following the Pop Art lineage perfectly and raises again the so-called subculture to the status of ?high art?.

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