Andy Warhol with Banana Smile ( Pink ), 2012
Rene Gagnon  

Print : Screen Print · 61 x 46 x 0.1 cm 24 x 18.1 x 0 inch

€399 399 €
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Delivery to: Spain , € 20

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 5 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

61 x 46 x 0.1 cm 24 x 18.1 x 0 inch Height x Width x Depth

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Description

This artwork stands out for its bold fusion of portrait and pop art, capturing attention with its visual simplicity and vibrant symbolism. The bright pink background, lightly textured with dots, creates an optimistic backdrop that highlights the central subject. The face, rendered in black and white, recalls the screen-printing techniques popular in the 1960s. This contrast between the bright background and the monochrome portrait instantly draws the eye. A remarkable feature is the mouth, replaced by a sepia-yellow banana, adding a surreal and humorous touch while evoking the spirit of the original artist. The banana, an iconic element of pop art, becomes here a bold and subtle metaphor, inviting the viewer to reflect on themes of identity and cultural consumption. The dark sunglasses add a mystique, concealing the gaze while creating a link between the viewer and the subject’s mystery. Through its daring juxtaposition of simple yet meaningful motifs, this piece captures the essence of pop art while paying homage to its influences. It stands out for its ability to blend humor and social critique in a visually striking and conceptually rich image.

Street art

Pop Art

Andy Warhol

Banana

Art History

Black

Pink

Rene Gagnon, Andy Warhol with Banana Smile ( Pink )

Rene Gagnon

United States  • 1971

Presentation

About
Rene Gagnon was enthralled by the rap and graffiti movement that originated in New York City in the early 80's. Gagnon found his calling in this movement.

"I was born in 1971 and raised in the city of Fall River, Massachusetts, a dusty mill town rich in culture located about 45 minutes south of Boston. I started drawing graffiti on my school book covers and piecing in railway tunnels in the early 80's after seeing the movies, 'Wild Style' and 'Beat Street'. My thirst for creation truly exploded after seeing the graffiti art from the streets of New York City in those movies. The enormity of the works and the care free expression of color displayed a means by which I could gain the attention that every teen is so desperately seeking. This rebellious idea of searching for your identity through the use of markers and spray paint fueled my desire to follow in the footsteps of a graffiti artist.

In 1986 I met a graffiti artist (STER) from the Bronx. STER opened my eyes even more to what it meant to be a true writer. Together we created my tag: SNO. Armed with an alias I started to truly bomb my environment. I was considered to be the most widely recognized graffiti artist/tagger in Southeastern, MA from 1986-1993. I believed I gained this recognition because I always had a thirst for taking aspects of my life to the Nth degree.

I now find myself at a point in life where I am beginning to see through the spray paint haze of my teens. I now realize that an artist's work should represent their soul. So, through the use of urban media techniques I used as a teenager, a newfound love for creating street art, and my need as a human to create I am attempting to bridge the gap between urban graffiti/street art and contemporary abstract expressionism.

In almost every city graffiti and street art is present in a multitude of forms. Some artists choose the permanency of spray painted tags, throw-ups, and stenciled imagery, while others opt for the immediacy and aging characteristics of stickers and paste ups. Often times, these artists' of the street will battle with each other for visibility on the same surfaces. Over time, the multiple transformations of these surfaces reveal an abstract maze of color and composition that I see as an opportunity. The opportunity to create something much greater than what meets the eye.

My vision is to recreate this battle between graffiti and street artists' in my studio work. By mixing my past graffiti experience with the street art pieces I do today, I am able to fuel my attack on the canvas. As feelings are evoked from the written words and the often emotionally charged imagery I leave on the streets a physical manifestation builds to a point of overflow. Ultimately unleashing itself in a furor of uninhibited energy, where time and place become nonexistent. It is in this vitality that my artistic soul reveals itself and dances its way into a flurry of whirling paint and exploding spray paint cans.

I believe this melting of the graffiti/street artist in me with the abstract expressionist produces an original take on two major art forms. I have coined this amalgamation 'Post-Graffiti Abstract Expressionism' and it serves as the backbone to my work."

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