Le Pouvoir Ne Protège Pas Il se Protège, Circa 2002
Print : pigment ink · 30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch · Ready to hang
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Shipped from: France
Delivery to: United States , $ 233
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Stamped
Technique & Support
pigment ink on paper
Dimensions ( cm • inch )
30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch Height x Width x Depth
Artwork dimensions including frame
42.5 x 52.5 x 3.5 cm 16.7 x 20.7 x 1.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
I offer you this superb work by Miss Tic. It dates from 2002 and is numbered in an edition of 30.
As a little extra, I offer you the latest one, number 30.
Miss Tic stamp on the back of the work.
Second-hand work.
Presentation
Miss.Tic, born on February 20, 1956, in Paris, was a pioneering French poet and visual artist, renowned for her stenciled street art that graced the walls of Paris for decades. She passed away on May 22, 2022, but her work, once considered rebellious and illegal, has since gained international recognition and is now featured in major institutions like the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain in Paris. Miss.Tic's work has been celebrated in a retrospective exhibition in Singapore, supported by the French Embassy, further solidifying her legacy.
In the 1980s, amid the rise of urban art, Miss.Tic transformed the streets of Paris into her artistic canvas, particularly in the Butte aux Cailles neighborhood (13th arrondissement). Her public art debut took place in 1985 at Agnès b's Galerie du Jour, where her unique stencils began to take shape. Influenced by her background in graphic design and theatre set design, Miss.Tic's art began to reflect her interest in the eternal feminine and the dynamics of power, often featuring striking female figures paired with thought-provoking slogans.
The 1990s brought both challenges and recognition for Miss.Tic. The rise of street art and tagging culture led to police confrontations, including a notable arrest in 1997 after a work in the Marais district. Despite facing repression, Miss.Tic's bold art gained acceptance in prestigious institutions and collaborated with major fashion brands like Longchamp, Kenzo, and Louis Vuitton, elevating her status in the contemporary art world.
Throughout her career, Miss.Tic participated in numerous solo and group exhibitions in France and internationally, contributing to the institutional recognition of her work. Her creations are now held in major public and private collections, notably at the Victoria and Albert Museum in London and the Fonds Municipal d'Art Contemporain of the City of Paris.
Her work played a significant role in establishing stencil art as a major medium of contemporary urban art. Through her unique combination of poetry, humour, political engagement and street art aesthetics, Miss.Tic remains an essential figure in urban art, stencil art, French contemporary art and feminist art, continuing to influence many artists around the world.
Reviews from our customers
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