Disinformation Damage, 2024
Print : giclée · 30.5 x 61 cm 12 x 24 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 275 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
30.5 x 61 cm 12 x 24 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Screenprint on cream Speckletone Paper.
Hand-signed, numbered and dated by Shepard Fairey. Comes with Verisart certificate of authenticity from Obey Giant.
Edition: Limited Edition of 275 (#75/275).
About the art "This Disinformation Damage print is a comment on the corrosive effect of social media on politics. Politicians have always taken liberties with the truth, but credible news outlets would correct lies and hold politicians accountable to the truth before social media. On the other hand, social media allows users to parrot lies politicians tell and perpetuate those lies at lightning speed. The tactic of spreading lies through social media so quickly that credible journalists can't keep up and correct the record has been used consistently by the right. Whatever lies are told will be parroted by a politician's followers, who will also try to drown out any attempt to shed light on the truth. The only antidote to this chaos is for citizens to fact-check what they see and support credible journalism. Understanding the facts behind the issues confronting us is the only way to make wise decisions about policy. A portion of the proceeds from this print will support the work of Brave New Films, who create investigative content around serious social justice issues like voter suppression and racial bias. Thanks for caring!"
-Shepard Fairey
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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