Le jardin oublié II / L'orangerie du cenote, 2023
Urban Art Fair 2026
Bruno Mallart  

Print : pigment ink · 187 x 88 x 1 cm 73.6 x 34.6 x 0.4 inch · Ready to hang

$8,147 8 147 $US
Shipping & delivery

Shipped from: France

Delivery to: United States , $ 698

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 12 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

187 x 88 x 1 cm 73.6 x 34.6 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

187.1 x 88.1 x 4 cm 73.7 x 34.7 x 1.6 inch

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Credentials

Vetted seller since 2013 • Top Seller

Description
Bruno Mallart, Le jardin oublié II / L'orangerie du cenote

Bruno Mallart

France  • 1963
178 followers

Presentation

After having taken the courses of the Superior School of Graphic Arts in Penninghen, directed toward the graphics and photography, Bruno Mallart turned in 1986 towards illustration. In 1989, he integrated the group France-Illustration and carried out during the years of illustrations in a style rather realistic, watercolour and the pen.

At the end of 1990, Bruno Mallart will develop a writing very different: painting, watercolour, pencil and especially collages on various media such as boxes, planks and objects, is confusing to give life to a zany universe or peppers handwheels intersect characters inkwells... The discovery of ""Photoshop"" will offer him then many tracks of figuration and implementation of its images...

His work is mainly published in magazines (Telerama, International Mail, The World, The New York Times, The Wall Street Journal... ).

Since little, Bruno Mallart realized of prints, pigment tests edited by the Workshop Franck Bordas (who achieved between other prints of Ernest Pinion Ernest, Gerard Garouste as well as some or Enki Bilal... ) which are presented under diasec.

This "patchwork" of drawing, painting, collage takes on a whole other dimension. His work is no longer illustration within a magazine but a work full part edited to a small number of copies. Large formats are gaining strength and in mystery, the diasec allowing to give a very nice depth to the colors.

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