Lumiere du cirque (The Light of the Circus), 1969
Print : lithography · 50.5 x 67 x 0.1 cm 19.9 x 26.4 x 0 inch · Ready to hang
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About the artwork
Type
Print : numbered and limited to 50 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50.5 x 67 x 0.1 cm 19.9 x 26.4 x 0 inch Height x Width x Depth
Artwork dimensions including frame
54.5 x 71 x 2 cm 21.5 x 28 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
The edition of 41/50 on Arches paper.
Reference: Mourlot 566.
--
“On life's stage the laughter and the tears remain;
And the sounds of the orchestra."
— Marc Chagall, The Lithographs of Chagall 1969–1973, Éditions André Sauret, 1974
In Lumière du cirque, Marc Chagall transforms the spectacle of the circus into a metaphor for human existence — a theatre of light, emotion, and memory. The artist's own words, printed at the opening of The Lithographs of Chagall 1969–1973, reveal the depth of this vision: life itself becomes a stage where joy and sorrow intertwine, accompanied by the eternal music of creation.
Created in 1969 and printed by Fernand Mourlot, Lumière du cirque belongs to a celebrated cycle of circus lithographs in which Chagall's lifelong fascination with acrobats, clowns, and musicians reaches lyrical maturity. Beneath their luminous colours lies a profound empathy for the performers — figures who, suspended between gravity and flight, embody the fragile balance between laughter and melancholy. The glowing reds and yellows evoke the warmth of the spotlight, while the sweeping arcs of blue recall the infinite expanse of dream and memory.
For Chagall, the circus was not mere entertainment but a sacred mirror of existence — a space where art, movement, and faith converged. “For me," he once said, “a circus is disturbing… it is profound." In Lumière du cirque, that profundity becomes visible: the performers' gestures become prayers, and the luminous air becomes the orchestra of life itself — the same orchestra he invoked in his poetic reflection.
In this union of image and thought, Chagall's circus is illuminated not only by the painter's colours but by the inner light of compassion — the lumière of the soul that survives every performance.
Presentation
Marc Chagall is a painter and printmaker born in Belarus in 1887.
He was raised by his Jewish mother, who passed on to him the passion of man and made him read the Bible. Vitebsk, the area where he grew up, would always represent his childhood paradise and later greatly influence his artistic work.
He studied at the School of Fine Arts of Saint-Petersburg and then worked in a studio. He was pupil of Leon Bakst, who introduced him to Bella Rosenfeld, with whom he fell in love.
In 1910, he moved to Paris. There, he discovered Fauvism as the movement was fading, and Cubism just as it was emerging. He was fascinated by the joyful colors of Fauvism and by Cubism's deconstruction of objects. Even if he was living in Paris, Marc Chagall never forgot his native country, Russia, and never ceased to be inspire by it. In fact, the Jewish culture in which he grew up is always present in his work.
In Paris, Marc Chagall met Blaise Cendrars, Robert Delaunay and Guillaume Apollinaire with whom he became friends.
In 1914, He returned to Vitebsk, thinking he would only stay there a short while, but the First World War preventing him from coming back to France. He Married Bella with whom he had a daughter. He painted the life of the Jewish community, persecuted because they were suspected of collaborating with the Russians. After the Revolution, he let to Moscow, where he worked for the Jewish Art Theater.
Back in Paris, his friend Ambroise Vollard, ask him to do some illustrations for the" Fables de La Fontaine" and for the Bible. He did several gouaches for the religious texts that he considered to be " the biggest source of poetry of all time". He then did a collection of etchings about the Old Testament, which he donated to the French government. This latter has been exhibited in the Louvre and then at the National Museum of Biblical messages in Nice, which was later named National Museum Marc Chagall.
Marc Chagall can not be associated to one particular movement, since the artist preferred to combine several styles. However In his work we can find characteristics of surrealism and Neo-Primitivism. Marc Chagall created his paintings and prints inspired by his own intimate life.
He died in 1985 in Saint-Paul-de-Vence, France.
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