Untitled - Etching and aquatint on paper, 1978
Print : eau-forte · 95.5 x 69.5 cm 37.6 x 27.4 inch
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About the artwork
Type
Print : numbered and limited to 90 copies
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
95.5 x 69.5 cm 37.6 x 27.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Etching and aquatint on paper
Edited in 1978
Limited edition of 90, numbered 65/90
Signed in pencil by artist in lower right corner
Paper size: 97 x 97 cm
Very good conditions
Regular certificate of authenticity and legitimate provenance of the Gallery will be included
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Presentation
Victor Pasmore, was born in 1908 and died in 1998, he is an English artist and architect. When his father died, he was forced to stop his studies and find a job. Passionate about painting, he took drawing lessons at the Central School of Arts.
During one of his first exhibitions in 1934, his style became figurative, influenced by Monet, Cézanne, Turner and Whistler. After the Second World War, he turned to abstraction, a field where he became the pioneer in England. His teachers were Piet Mondrian, Paul Klee and Ben Nicholson. Victor Pasmore's abstract work are architectural, in relief and constructivist.
His interest for the mixture of art and architecture led him to create mural works for various public buildings in the United Kingdom. In 1961, he represented England at the Venice Biennale. His pieces are also part of the Tate's collections.
During one of his first exhibitions in 1934, his style became figurative, influenced by Monet, Cézanne, Turner and Whistler. After the Second World War, he turned to abstraction, a field where he became the pioneer in England. His teachers were Piet Mondrian, Paul Klee and Ben Nicholson. Victor Pasmore's abstract work are architectural, in relief and constructivist.
His interest for the mixture of art and architecture led him to create mural works for various public buildings in the United Kingdom. In 1961, he represented England at the Venice Biennale. His pieces are also part of the Tate's collections.
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