Banana Republic #34, 2023
Print : Screen Print · 55 x 50 x 0.1 cm 21.7 x 19.7 x 0 inch
€175
175 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 16
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
55 x 50 x 0.1 cm 21.7 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work confronts three human mythologies: religion, technology, and culture. Adam and God, the cyborg and the machine-bird, the imperial laurel and the primitive totem coexist in the same marketplace.
The central figure bears the marks of all these promises. Augmented, sacred, heroized, it nevertheless remains unchanged. The smile is that of an empty certainty.
The background subverts foundational narratives. Divine creation, transcendence, and technological progress become exchangeable images, printed on the same symbolic currency.
The monkey here reveals a constant: regardless of the era, humanity clothes its ignorance in new narratives. God, the Empire, or the machine change their faces, but continue to fulfill the same function: to give a reassuring form to that which eludes it.
Presentation
Karl Kox (1990) is a Franco-Belgian artist, from a family of intellectuals.
A self-confident dunce with a chaotic educational background, he leaves the family fold quite early to “See the World"
After several artistic collaborations and training as a graphic designer, he decided to strike out on his own.
Passionate about digital art, he has devoted himself to his career as an artist since 2022.
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