Untitled, 1945
Print : eau-forte · 17.1 x 9.7 cm 6.7 x 3.8 inch · Ready to hang
One of the last works available by this artist
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Shipped from: Italy
Delivery to: France , € 32
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 200 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Dimensions ( cm • inch )
17.1 x 9.7 cm 6.7 x 3.8 inch Height x Width x Depth
Artwork dimensions including frame
31.5 x 24 cm 12.4 x 9.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Drypoint etching on paper, edited in 1945.
Limited edition, printed by Galerie Rive Gauche, Paris, as a New Year's card.
The technique (“Asger JORN dry point") and the date are indicated on the back.
Plate size: 17.1 x 9.7 cm
Framed size: 31.5 x 24 cm
Very good conditions.
Bibliography:
Asger Jorn. Catalog Raisonné of Prints, Galerie van de Loo München, ref. 67A pg 137
A regular certificate of authenticity and legitimate provenance is provided, and also a copy of publication of the reference catalog.
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Presentation
Asger Jorn, born Asger Oluf Jørgensen on March 3, 1914 in Vejrum in Central Jutland and died on May 1, 1973 in Aarhus, is a Danish painter. He was one of the founders of the CoBrA movement and of the Situationist International. In 1936, Asger Jorn arrived in Paris to join the Contemporary Academy of Fernand Léger. There he meets the French Pierre Wemaëre with whom he binds a deep friendship.
During the Nazi occupation of Denmark, Jorn was an active communist in the resistance and participated in the artistic group Høst. He was one of the founders of the CoBrA movement in 1948. The same year he joined the Dutch artist group Experimentele Groep in Holland founded by Karel Appel, Constant Nieuwenhuys, Corneille, Theo Wolvecamp, Anton Rooskens Jan Nieuwenhuys and many Dutch artists.
He merged the International Movement for an Imaginist Bauhaus, which he had founded in 1955, the Lettrist International and the London Psychogeographical Committee, into a single unified movement: the Situationist International in 1957.
In 1961, he left the SI to found the Scandinavian Institute of Comparative Vandalism (see La Langue verte et la Cuite, with Noël Arnaud, which earned him the title of Commander Exquis of the Order of the Great Gidouille).
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