Untitled, 1945
Asger Jorn  

Print : eau-forte · 17.1 x 9.7 cm 6.7 x 3.8 inch · Ready to hang

€350 350 €

One of the last works available by this artist

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Shipped from: Italy

Delivery to: France , € 32

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 200 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

17.1 x 9.7 cm 6.7 x 3.8 inch Height x Width x Depth

Artwork dimensions including frame

31.5 x 24 cm 12.4 x 9.4 inch

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Credentials

Vetted seller since 2026

Description

Drypoint etching on paper, edited in 1945.
Limited edition, printed by Galerie Rive Gauche, Paris, as a New Year's card.
The technique (“Asger JORN dry point") and the date are indicated on the back.

Plate size: 17.1 x 9.7 cm
Framed size: 31.5 x 24 cm
Very good conditions.

Bibliography:
Asger Jorn. Catalog Raisonné of Prints, Galerie van de Loo München, ref. 67A pg 137

A regular certificate of authenticity and legitimate provenance is provided, and also a copy of publication of the reference catalog.

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Abstract

Abstract art

Black

Asger Jorn, Untitled

Asger Jorn

Denmark  • 1914

Presentation

Asger Jorn, born Asger Oluf Jørgensen on March 3, 1914 in Vejrum in Central Jutland and died on May 1, 1973 in Aarhus, is a Danish painter. He was one of the founders of the CoBrA movement and of the Situationist International. In 1936, Asger Jorn arrived in Paris to join the Contemporary Academy of Fernand Léger. There he meets the French Pierre Wemaëre with whom he binds a deep friendship.

During the Nazi occupation of Denmark, Jorn was an active communist in the resistance and participated in the artistic group Høst. He was one of the founders of the CoBrA movement in 1948. The same year he joined the Dutch artist group Experimentele Groep in Holland founded by Karel Appel, Constant Nieuwenhuys, Corneille, Theo Wolvecamp, Anton Rooskens Jan Nieuwenhuys and many Dutch artists.

He merged the International Movement for an Imaginist Bauhaus, which he had founded in 1955, the Lettrist International and the London Psychogeographical Committee, into a single unified movement: the Situationist International in 1957.

In 1961, he left the SI to found the Scandinavian Institute of Comparative Vandalism (see La Langue verte et la Cuite, with Noël Arnaud, which earned him the title of Commander Exquis of the Order of the Great Gidouille).

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