Festival du Livre de Paris 2026, 2026
Print : fine art print · 70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch
$466
466 $US
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Shipped from: France
Delivery to: United States , $ 76
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 400 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
70 x 50 x 0.1 cm 27.6 x 19.7 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2021 • Top Seller
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Description
This intriguing artwork depicts an aerial universe where hot air balloons made of colorful cubes float majestically beneath a vast glass roof in a classical architectural style. The soft, rosy light of dusk, filtered through the glass, accentuates the contrast of the cubes' vibrant colors, creating a breathtaking visual spectacle. In the foreground, human figures contemplate this magical scene from a wrought-iron balcony, adding a dimension of wonder and dreamlike quality to the image. The interplay of iron architectural structures contrasts harmoniously with the geometric shapes and vibrant hues of the balloons, symbolizing the interaction between human ingenuity and dreams. The artwork evokes a powerful metaphor for escapism and the lightness of being, while simultaneously celebrating ingenuity and imagination.
Presentation
Working as an independent designer since 1994, Laurent Durieux was noticed in 2011 with his poster François à l'Américaine, created on the occasion of an exhibition commemorating the work of director Jacques Tati, which allowed him to be contacted by several publishers and American galleries including the Mondo gallery or even Plakat based in Paris for which he has been making alternative film posters.
Though he's spent two decades as a designer and teacher, the 42-year-old Brussels illustrator and graphic artist was only recently discovered in the United States, thanks to a number of high-profile awards and marquee commissions, including a 2013 screenprint of “Jaws", which caught the eye of the film's director, Steven Spielberg.
The climb from relative obscurity began, though, in 2011, when Durieux was named one of the world's 200 Best Illustrators by the influential international advertising magazine Lürzer's Archive.
His work is appreciated by American directors, notably Francis Ford Coppola, Steven Spielberg, and Paul Thomas Anderson.
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