Marilyn (Sunrise), 2026
Print : Screen Print · 61 x 45.7 cm 24 x 18 inch
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Shipped from: United States
Delivery to: Germany , € 52
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About the artwork
Type
Print : numbered and limited to 500 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
61 x 45.7 cm 24 x 18 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Medium: Screenprint on cream Speckletone Paper
Provenance: Hand-signed, numbered and dated by Shepard Fairey. Verisart certificate of authenticity from Obey Giant transferred to buyer on request.
Edition: Limited Edition of 500 (#65/500)
"Marilyn Monroe has fascinated me since I was a child. I was probably ten years old when I asked my dad “why is Marilyn Monroe so famous?" He answered something like “well, she was a symbol of American beauty and hope. She burned bright but tragically died young." I was intrigued and watched Marilyn's movies whenever they showed on cable. Seeing her on screen, I was mesmerized by her allure, her humor, and her vulnerability. I might not have been able to articulate it as a young person, but Marilyn had range and nuance that were magnetic and I leaned in. Later in high school I became interested in pop art and one of the genre's most famous series of images are Andy Warhol's Marilyn portraits. Warhol's Marilyns are superb in their use of color and effectively achieve his goal of reducing her to a high-contrast iconic, but impersonal representation. However, iconic glamour is only one dimension of Marilyn. When I was presented with the opportunity to make art of Marilyn based on photos by Milton H. Greene from 1956 when she was at the height of her powers, I was struck by the intimacy and vulnerability of the images. To me, these images called for a much more delicate approach compared to Warhol's in order to convey more nuance and humanity. Even though Marilyn showed courage and conviction fighting for civil rights, equality, and against McCarthyism, her mental health struggles are widely recognized. I felt it was important to depict her precarious dance between wide-eyed aspiration and shying away from the glare of the spotlight. I hope these images, “Marilyn Sunrise" and “Marilyn Sunset" inspire an empathetic look at Marilyn's complex humanity and remind us that we are all teetering between strength and fragility." -Shepard Fairey
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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