Bronze Sculpture for Sale
Print : Screen Print · 45.7 x 61 x 0.01 cm 18 x 24 x 0 inch
Shipped from: France
Delivery to: France , € 35
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the gallery
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Type
Print : numbered and limited to 275 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
45.7 x 61 x 0.01 cm 18 x 24 x 0 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Shepard Fairey (OBEY) - Disinformation Damage 2024
Original signed and numbered serigraph on cream Speckletone paper - Dimension 30.5 × 61 cm
Shepard Fairey continues his artistic commitment by proposing a work as aesthetic as it is profoundly current. This original serigraph, published in only 275 copies on cream Speckletone paper, is signed, dated, and numbered by the artist by hand. Through a striking graphic composition and a universal message about the dangers of disinformation, OBEY recalls the essential role of critical thinking in our contemporary societies. Accompanied by its gallery certificate, this edition is a rare opportunity to acquire an emblematic work by one of the most influential artists in international street art.
A work manifest on information in the digital age
With Disinformation Damage, Shepard Fairey signs a powerful work that questions one of the greatest issues of our time: disinformation.
In a geometric composition of remarkable precision, the artist builds a visual language where lines, light beams, and triangular shapes symbolize the circulation of information. At the center, a monumental eye immediately draws the gaze: it represents vigilance, critical thinking, and our ability to distinguish truth from falsehood.
The inscription placed in the upper part summarizes the entire scope of the work:
"Disinformation wreaks havoc at speed. Truth works slowly to repair damage."
("Disinformation sows chaos at high speed. Truth takes time to repair the damage.")
This phrase makes this serigraph much more than a decorative work: it becomes a contemporary manifesto on media, social networks, and collective responsibility in the face of information.
Shepard Fairey's emblematic palette—red, cream, and blue—reinforces the graphic impact while placing this creation within the immediately recognizable aesthetic of the OBEY movement.
Great works are not just beautiful.
They ask questions.
In a world where information can travel around the planet in seconds, Shepard Fairey reminds us that truth often advances more slowly than lies.
At the center of the composition, an eye watches us.
But in reality…
It is we who are invited to look differently.
Every line evokes a flow of information.
Every geometric shape recalls the fragmentation of our perception.
Every color draws our attention to a world saturated with images where vigilance becomes a necessity.
With , Shepard Fairey does not seek to impose an opinion.
He invites us to reflect.
To slow down.
To check.
To think.
This work goes beyond the framework of street art to become a true testimony to our time, where art fully regains its primary function: to awaken consciences.
About the artist
Born in 1970 in Charleston (United States), Shepard Fairey, globally known as OBEY, is one of the major figures in contemporary urban art.
Revealed in the late 1980s through his Obey Giant project, he gained international renown with the HOPE poster, created for Barack Obama's presidential campaign in 2008, which became an icon in the history of political graphic design.
His work mixes influences from constructivism, graphic propaganda, Pop Art, and activism. Through his works, he addresses themes such as freedom of expression, social justice, human rights, ecology, and the power of the media.
His creations are today in the collections of prestigious institutions such as the MoMA in New York, the Victoria & Albert Museum in London, or the Smithsonian.
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of the Hôtel de Ville in Paris as part of the exhibition “From Paris to Belém: 10 Years of Global Action for the Climate," commemorating the Paris Agreement. Featuring his trademark red, blue, and cream tones with powerful slogans like “Respect Earth" and “Resist Unite," the work reinforces his commitment to environmental and political causes. This high-visibility project, combining activism and large-scale public art, further cements his appeal among collectors, institutions, and art lovers seeking pieces with both visual strength and civic impact.
In the late 1980s, with friends from the Rhode Island School of Design, he launched a viral sticker and poster campaign using the image of wrestler André the Giant. Stuck clandestinely in major American cities, these works marked the history of contemporary street art and demonstrated the power of this new form of artistic expression.
Shepard Fairey rose to worldwide fame in 2008 with his iconic HOPE poster, created for Barack Obama, which became a symbol of the presidential campaign. In 2024, he renewed his political commitment by creating the "Forward" poster, in support of Kamala Harris. Inspired by HOPE, this work was used as murals in several key states to encourage voter mobilization. In 2021, Shepard Fairey reimagined Marianne, the symbol of the French Republic, blending street art and political commentary in a powerful tribute to liberty.
Despite legal controversies over intellectual property, Shepard Fairey continues to exhibit his works in the greatest contemporary art museums. In 2022, he created a monumental fresco in Munich, in collaboration with the Department of Art and Culture, to promote renewable energy.
Still active, Shepard Fairey proves that street art is a powerful tool for social and political change, combining art, activism and engagement.
All our reviews are extracted from Verified Reviews
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