Disinformation Damage, 2024
Print : Screen Print · 45.7 x 61 x 0.01 cm 18 x 24 x 0 inch
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Shipped from: France
Delivery to: Germany , € 45
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 275 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
45.7 x 61 x 0.01 cm 18 x 24 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
Shepard Fairey (OBEY) - Disinformation Damage 2024
Original signed and numbered serigraph on cream Speckletone paper - Dimension 30.5 × 61 cm
Shepard Fairey continues his artistic commitment by proposing a work as aesthetic as it is profoundly current. This original serigraph, published in only 275 copies on cream Speckletone paper, is signed, dated, and numbered by the artist by hand. Through a striking graphic composition and a universal message about the dangers of disinformation, OBEY recalls the essential role of critical thinking in our contemporary societies. Accompanied by its gallery certificate, this edition is a rare opportunity to acquire an emblematic work by one of the most influential artists in international street art.
A work manifest on information in the digital age
With Disinformation Damage, Shepard Fairey signs a powerful work that questions one of the greatest issues of our time: disinformation.
In a geometric composition of remarkable precision, the artist builds a visual language where lines, light beams, and triangular shapes symbolize the circulation of information. At the center, a monumental eye immediately draws the gaze: it represents vigilance, critical thinking, and our ability to distinguish truth from falsehood.
The inscription placed in the upper part summarizes the entire scope of the work:
"Disinformation wreaks havoc at speed. Truth works slowly to repair damage."
("Disinformation sows chaos at high speed. Truth takes time to repair the damage.")
This phrase makes this serigraph much more than a decorative work: it becomes a contemporary manifesto on media, social networks, and collective responsibility in the face of information.
Shepard Fairey's emblematic palette—red, cream, and blue—reinforces the graphic impact while placing this creation within the immediately recognizable aesthetic of the OBEY movement.
Great works are not just beautiful.
They ask questions.
In a world where information can travel around the planet in seconds, Shepard Fairey reminds us that truth often advances more slowly than lies.
At the center of the composition, an eye watches us.
But in reality…
It is we who are invited to look differently.
Every line evokes a flow of information.
Every geometric shape recalls the fragmentation of our perception.
Every color draws our attention to a world saturated with images where vigilance becomes a necessity.
With , Shepard Fairey does not seek to impose an opinion.
He invites us to reflect.
To slow down.
To check.
To think.
This work goes beyond the framework of street art to become a true testimony to our time, where art fully regains its primary function: to awaken consciences.
About the artist
Born in 1970 in Charleston (United States), Shepard Fairey, globally known as OBEY, is one of the major figures in contemporary urban art.
Revealed in the late 1980s through his Obey Giant project, he gained international renown with the HOPE poster, created for Barack Obama's presidential campaign in 2008, which became an icon in the history of political graphic design.
His work mixes influences from constructivism, graphic propaganda, Pop Art, and activism. Through his works, he addresses themes such as freedom of expression, social justice, human rights, ecology, and the power of the media.
His creations are today in the collections of prestigious institutions such as the MoMA in New York, the Victoria & Albert Museum in London, or the Smithsonian.
Presentation
Shepard Fairey, aka Obey, is an American street artist and graphic designer born in 1970 in Charleston, United States. Passionate about graphic design since the age of 14, he began by creating designs for t-shirts and skateboards. Influenced by Andy Warhol and Alexander Rodchenko, he quickly turned to artistic studies.
In June 2025, Shepard Fairey unveiled a monumental mural on the façade of Paris City Hall as part of the exhibition “From Paris to Belém: 10 Years of Global Climate Action”, celebrating a decade of international commitment following the Paris Agreement. True to his instantly recognizable visual language, the artist created a work featuring his iconic palette of red, blue and cream, combined with powerful messages such as “Respect Earth” and “Resist Unite”. This public artwork highlights the continuity of his practice between street art, political graphic design and environmental activism, reinforcing his position as a major figure in the development of contemporary urban art.
At the end of the 1980s, while studying at the Rhode Island School of Design (RISD), Shepard Fairey launched the “André the Giant Has a Posse” campaign with several friends. This graphic experiment was based on the distribution of stickers and posters in public spaces. The image of wrestler André The Giant quickly became a visual symbol, spreading clandestinely across American cities. This initiative became a landmark moment in the history of American street art, demonstrating the artistic potential of posters, stickers and screen printing as independent forms of visual expression.
In 2008, Shepard Fairey achieved international recognition with the iconic HOPE poster, created during Barack Obama’s presidential campaign. The artwork became a symbol of contemporary political communication and illustrated the artist’s ability to transform graphic design, contemporary screen printing and popular culture codes into powerful collective images. In 2024, he continued this politically engaged approach with the poster “Forward”, created in support of Kamala Harris and inspired by the visual language developed for HOPE. In 2021, he also created a contemporary reinterpretation of Marianne, the symbol of the French Republic, combining urban art, national identity and a universal message about freedom.
Despite several controversies related to intellectual property and copyright issues, Shepard Fairey remains one of the most influential figures in American contemporary art. His works have been exhibited internationally, while his monumental murals, original screen prints, posters and works on paper are highly sought after by contemporary art collectors. In 2022, he created a monumental mural in Munich in collaboration with the Department of Art and Culture, focusing on renewable energy issues.
Through an artistic practice at the crossroads of street art, contemporary graphic design, socially engaged art and popular culture, Shepard Fairey has demonstrated for decades the power of images as tools for social and political awareness. His work continues to explore the relationship between artistic creation, visual communication and collective change, making him one of the most influential artists in international contemporary street art.
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