La lyre, Circa 2010
Angelo Luccia  

Print : aquatint · 76 x 56 cm 29.9 x 22 inch

€430 430 €

One of the last works available by this artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 2 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

76 x 56 cm 29.9 x 22 inch Height x Width x Depth

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Credentials

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Description

The fragile balance between order and chaos guides this graphic composition. A massive black triangle anchors the scene. Its rigorous geometry contrasts with the raw energy of the intertwined lines. These lines accumulate into a dense mass. They evoke a rapid, almost nervous movement.
The white background welcomes random ink projections. These spots punctuate the space with precision. In the bottom left, a fragment of yellowed paper brings a temporal dimension. This textured rectangle seems to be a vestige, an old document integrated into the modernity of the line.
Created in 2010, this print uses the aquatint technique. This process allows for the creation of colored surfaces and nuanced gradients. The interplay between full and empty creates a constant visual tension. The eye circulates thus from the dark block to the lightness of the splashes. The whole rests on a dialogue between the architectural form and the spontaneous gesture.

Abstract

Abstract art

Beige

Black

Angelo Luccia, La lyre

Angelo Luccia

Italy  • 1952

Presentation

Angelo LUCCIA was born in Florence in August 1952 by the Arno, not far from the current opera house, his career remains a mystery. In his spare work, one can find a marked taste for that Florentine severity, the one that strikes when passing in front of the Uffizi and almost catching the gaze of Lorenzo il magnifico by chance. He speaks little of his work and if he does, he asks you to listen to the lamentations of the prophet Jeremiah: "Jerusalem convertere ad dominum Deum tuum", the vertigo of the harmonics of the assassin prince Gesualdo, the amorous letter of the seventh book of Claudio Monteverdi's madrigals, or even the quartets of Arnold Schoenberg or Bela Bartok. He says rigor, he says nonchalance, Tuscan light.

Relativity, speed of light, "reviens soulamite", "nigra sunt sed formosa", gamma bursts, magnitudes, collapses, black holes, globular clusters, Hubbel's constant, serenade for wind instruments K 361.

Losses, writings, the collages are a very complex succession of impressions, then tears; an image is often split in two and then recomposed, metaphor for the impossibility of being.

1977 - Photography School in Rome
1980 - First encounter with engraving at the Venice Engraving Academy.
1981 - First exhibition at the Signo Grafico Venice gallery
1982 to 1992 - Worked as a photographer in Bologna
1992 - Settled in Florence
1997 - Creation of a series of engravings at the Bucciali workshops
2000 - 25 editions of engravings released from the Bucciali workshops presses

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