IO, Circa 2010
Print : aquatint · 76 x 56 cm 29.9 x 22 inch
One of the last works available by this artist
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Shipped from: France
Delivery to: United States , $ 77
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 2 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
76 x 56 cm 29.9 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Description
The balance is established between graphic force and lightness. A black oval shape dominates the composition. Its intensity anchors the gaze to the center of the paper. This dark block stands out against a pristine white background.
A beige area brings a warm nuance. It structures the space in the background. Ink projections sprinkle the surface. These splashes add a spontaneous and rhythmic dimension to the whole.
The execution relies on precise technical mastery. The artist uses aquatint to create areas of color and subtle textures. Drypoint accentuates the contours and the finest details.
This work plays on chromatic contrasts. The dialogue between deep black and neutral tones creates a controlled visual tension. Each line hints at an instinctive gesture.
This creation dates from 2010. It is presented in the form of an original print combining two engraving techniques.
Presentation
Angelo LUCCIA was born in Florence in August 1952 by the Arno, not far from the current opera house, his career remains a mystery. In his spare work, one can find a marked taste for that Florentine severity, the one that strikes when passing in front of the Uffizi and almost catching the gaze of Lorenzo il magnifico by chance. He speaks little of his work and if he does, he asks you to listen to the lamentations of the prophet Jeremiah: "Jerusalem convertere ad dominum Deum tuum", the vertigo of the harmonics of the assassin prince Gesualdo, the amorous letter of the seventh book of Claudio Monteverdi's madrigals, or even the quartets of Arnold Schoenberg or Bela Bartok. He says rigor, he says nonchalance, Tuscan light.
Relativity, speed of light, "reviens soulamite", "nigra sunt sed formosa", gamma bursts, magnitudes, collapses, black holes, globular clusters, Hubbel's constant, serenade for wind instruments K 361.
Losses, writings, the collages are a very complex succession of impressions, then tears; an image is often split in two and then recomposed, metaphor for the impossibility of being.
1977 - Photography School in Rome
1980 - First encounter with engraving at the Venice Engraving Academy.
1981 - First exhibition at the Signo Grafico Venice gallery
1982 to 1992 - Worked as a photographer in Bologna
1992 - Settled in Florence
1997 - Creation of a series of engravings at the Bucciali workshops
2000 - 25 editions of engravings released from the Bucciali workshops presses
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