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IO, Circa 2010
Angelo Luccia  

Print : aquatint · 76 x 56 cm 29.9 x 22 inch

$453 453 $US
Delivered in time for Christmas

One of the last works available by this artist

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Shipped from: France

Delivery to: United States , $ 77

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 2 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

76 x 56 cm 29.9 x 22 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2013 • Top Seller

Description

The balance is established between graphic force and lightness. A black oval shape dominates the composition. Its intensity anchors the gaze to the center of the paper. This dark block stands out against a pristine white background.
A beige area brings a warm nuance. It structures the space in the background. Ink projections sprinkle the surface. These splashes add a spontaneous and rhythmic dimension to the whole.
The execution relies on precise technical mastery. The artist uses aquatint to create areas of color and subtle textures. Drypoint accentuates the contours and the finest details.
This work plays on chromatic contrasts. The dialogue between deep black and neutral tones creates a controlled visual tension. Each line hints at an instinctive gesture.
This creation dates from 2010. It is presented in the form of an original print combining two engraving techniques.

Abstract

Abstract art

Beige

Angelo Luccia, IO

Angelo Luccia

Italy  • 1952

Presentation

Angelo LUCCIA was born in Florence in August 1952 by the Arno, not far from the current opera house, his career remains a mystery. In his spare work, one can find a marked taste for that Florentine severity, the one that strikes when passing in front of the Uffizi and almost catching the gaze of Lorenzo il magnifico by chance. He speaks little of his work and if he does, he asks you to listen to the lamentations of the prophet Jeremiah: "Jerusalem convertere ad dominum Deum tuum", the vertigo of the harmonics of the assassin prince Gesualdo, the amorous letter of the seventh book of Claudio Monteverdi's madrigals, or even the quartets of Arnold Schoenberg or Bela Bartok. He says rigor, he says nonchalance, Tuscan light.

Relativity, speed of light, "reviens soulamite", "nigra sunt sed formosa", gamma bursts, magnitudes, collapses, black holes, globular clusters, Hubbel's constant, serenade for wind instruments K 361.

Losses, writings, the collages are a very complex succession of impressions, then tears; an image is often split in two and then recomposed, metaphor for the impossibility of being.

1977 - Photography School in Rome
1980 - First encounter with engraving at the Venice Engraving Academy.
1981 - First exhibition at the Signo Grafico Venice gallery
1982 to 1992 - Worked as a photographer in Bologna
1992 - Settled in Florence
1997 - Creation of a series of engravings at the Bucciali workshops
2000 - 25 editions of engravings released from the Bucciali workshops presses

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