Innocenza Figurata, 1996
Print : Screen Print · 100 x 100 cm 39.4 x 39.4 inch
Shipping & delivery
Shipped from: Italy
Delivery to: Germany , € 80
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 100 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 100 cm 39.4 x 39.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Color enamel screen print on paper, edited in 1996.
Limited edition, numbered H.C. (Hors Commerce) 8/100 in the lower left corner.
Hand-signed in pencil by the artist Mario Schifano in the lower right corner.
Plate size: 73,5 x 84,5 cm
Paper size: 100 x 100 cm
Bibliography: Mario Schifano. Serigrafie 1996-97. Volume quarto - Ed. Torcular, ref. 34
A regular certificate of authenticity and legitimate provenience is provided, and also a copy of publication of the reference catalogue.
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Presentation
Mario Schifano (born in Homs, Libya in 1934; died in Rome, Italy in 1998), made his first important appearance with the exhibition "Five Roman painters: Angeli, Festa, Lo Savio, Schifano and Uncini" presented by Pierre Restany in 1960 at the Galleria La Salita in Rome. He attracted critics' interest with his monochrome paintings which gave the impression of a screen which subsequently displayed numbers, letters, road signs, and the Esso and Coca Cola trademarks. He signed an exclusive contract with Ileana Sonnabend. In 1962 he made his first trip to the United States, and was intrigued by artists like Dine and Kline. He spent a great deal of time with Frank O'Hara, Jasper Johns, Rothko, Andy Warhol and Gregory Corso. He exhibited at the Sidney Janis Gallery in New York in the exhibition The New Realists. After solo exhibitions in Rome, Paris and Milan, he returned to the United States. He was at the forefront of criticism and won several awards including the Premio Lissone (Lissone 1961) , the Fiorino award and La Nuova Figurazione (Florence, 1963).
In 1963, he ended his collaboration with Ileana Sonnabend who was left baffled by the change in his artistic production which was so far removed from earlier work. In his new works there started to appear images from the history of Italian art. The first of his Anaemic Landscapes also appeared, which he presented at the Venice Biennale Exhibition in 1964 upon invitation, followed by works dedicated to Futurism. His first short films in black and white –most of which are silent - come from this period.
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