Sin título II, 2017
Print : Screen Print · 30 x 30 cm 11.8 x 11.8 inch
€480
480 €
Shipping & delivery
Shipped from: Spain
Delivery to: France , € 58
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 60 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
30 x 30 cm 11.8 x 11.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
An original print by Luis Feito (1929-2021), issued in an edition of sixty copies, in the unusual square format of 30 by 30 centimetres. Feito was a founding member of El Paso in 1957 and, with Saura, Millares and Canogar, one of the artists who brought Spanish painting abruptly into contact with international abstraction after two decades of isolation. He settled in Paris in 1956 and remained abroad for most of his career, developing a body of work in which dense black masses, ochres and whites are built up in thick matter and then breached, in compositions that increasingly resolved around a central circular or lunar form. The square sheet concentrates that centripetal tendency. Feito's abstraction, unlike that of several of his El Paso contemporaries, retained a cosmological rather than a political charge. He received the Premio Nacional de Artes Plásticas in 1998 and the Medalla de Oro al Mérito en las Bellas Artes in 2002; the Reina Sofía holds his work.
Presentation
Painter, one of El Paso group founders. He studied at the Royal Academy of Fine Arts of San Fernando, in Madrid. Awarded with Official Award of Arts and Lettres in France in 1985. Gold Medal in Fine Arts in 1998. Member of Royal Academy of Fine Arts of San Fernando.
His first paintings are figurative, but later he experimented with Cubism to finally reach the Abstraction. He only used black, white and ochre colours at the beginning. However, when he discovered the potential of the light y tried bright colours and plain surfaces. He used more and more vivid colours with time.
He has made exhibitions in the most relevant cities in the world, his artwork can be seen in important collections and museums, such as Fine Art Museum in Montreal, Guggenheim Foundation in New York, Modern Art Museum in Mexico DF, National Museum of Modern Art in Paris, or Reina Sofía Museum in Madrid.
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