Homenaje a Kepler, 1975
Print : lithography · 75 x 56 cm 29.5 x 22 inch
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Shipped from: Spain
Delivery to: France , € 48
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
75 x 56 cm 29.5 x 22 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Made between 1975 and 1977 and issued in an edition of seventy-five copies, this sheet belongs to Homes i estrelles, the cycle of thirteen lithographs and screenprints in which Joan-Josep Tharrats (1918-2001) paid homage to the figures who transformed the understanding of the physical world: Copernicus, Vesalius, Tycho Brahe, Galileo, Newton, Dürer, Kepler, Einstein and Teilhard de Chardin. Tharrats was a founding member of Dau al Set in Barcelona in 1948 alongside Tàpies, Brossa, Cuixart, Ponç and Juan Eduardo Cirlot, and was also a printer by trade, which gave him an unusual technical command; his maculatures, made by controlled accident with molten metal and inks, produced the constellated fields for which he is known. A series on astronomy and the history of science is therefore not incidental but the logical subject of that method. The sheet measures 75 by 56 centimetres. The paper shows some staining and signs of ageing at the edges.
Presentation
Born into an industrialist family, his father was the businessman and poet Josep Tharrats i Vilà. From 1932 to 1935 he lived in Béziers, before relocating to Barcelona where he studied at the Escola Massana. The Spanish Civil War brought his studies to an end, and he wouldn't resume his art career until 1942. His initial style was akin to Impressionism but moved into abstraction as the influence of Piet Mondrian and Wassily Kandinsky became more important to him. From 1946 on he used collage techniques. In 1947 he was introduced to artists Arnau Puig Grau, Joan Ponç, Modest Cuixart, Antoni Tàpies, Joan Brossa and Josep Vicenç Foix at the Institut Français in Barcelona. With some of these artists he founded the group Dau al Set, which published the magazine of the same name, printed in his atelier.
He was one of the most visible artists in the local avantgarde art of the post-war years. His style evolved from lineal abstraction influenced by surrealism (during his Dau al Set years) towards Art Informel working with texture, color and graphism. His work also includes a variety of posters, books, murals, stained glass, mosaics, jewelry and opera scenography. També va fer cartells, il·lustrà llibres i va fer murals, vitralls, mosaics, joies i fins i tot escenografies d'òpera (Spleen de 1984).
He had an individual exhibition in 1949 at the El Jardín gallery in Barcelona and became one of the most important Catalan artists in the international scene. From 1954 onwards he became a fixture of the Sala Gaspar in Barcelona and from 1955 in Stockholm and New York City. In 1959 his work was exhibited at the 5th São Paulo Biennale and at the Venice Biennale of 1960 and 1964. In 1966 he founded the Associació d'Artistes Actuals.
In 2000, Tharrats himself collaborated with monumental and small oil paintings in his last exhibition which was organized by Galeria Taüll of Barcelona.
In 2009, an important traveling exhibition called "Les maculatures de Tharrats" was arranged by the Cultural Department of the Diputació de Barcelona.
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